The life and legacy of Helen Keller, including how she used her celebrity to advocate for human rights and social justice for women, the poor and people with disabilities.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

A Magician and his two sidekicks, a Monkey and a flying Robot, take the viewer on a journey through time and space to cure a deaf boy of his cancer. In order to find the cure, dangerous territory must be traveled through in order to obtain the three legendary Sign Language elements, which hold the cure to the deaf boy's illness. The party must travel through the forbidden forest, secret caves, and onto a mysterious island, meeting odd characters along the way, as well as dangerous creatures that must be overcome.