A variety of experts, authors, and reporters discuss the murder of JFK. If one were to select the ten most significant events in American history, there would be no doubt that the death of President John F. Kennedy would be among the list. This is not only because of the fact that one of America’s most visionary presidents was cut down in the prime of his life, but because for almost 60 years later after the fact, his assassination continues to be shrouded with mystery and controversy. This documentary presents the facts surrounding the events before, and after that horrific moment in Dallas, and includes interviews of those who were on the scene not only at the tragic sight of the murder of JFK but also a number of individuals who possess firsthand knowledge of everything from the politics of the day to the actual autopsy performed on the president.

In a prelude to the forthcoming bio-opic of his assassination film by Oliver Stone. This video features some great footage of Dr. King after his transformation in 1965 to the war on poverty, discrimination, and unequal distribution of wealth in this great country.

AXIS OF EVIL is an experimental-feature-documentary-essay that features interviews with sixteen artists, scholars, and activists, including Howard Zinn, Daniel Ellsberg, Bernardine Dohrn, Martha Nussbaum, and others, talking about the concept of evil, its usefulness as a framework for US foreign policy, and evils that they've encountered in their lives. The interviews are illustrated with postage stamp art, archival footage, and other elements that interact with, illustrate, and comment on the statements of the interviewees.

This documentary explores the artistic, musical and literary resonances of the mystique of the road - and especially of going off the beaten track - in American lore. The Westward expansion, the Dust Bowl era, hobos, post-war suburbanization and the Beat critique of it; hitchhiking, the upheavals of the 1960s and early 1970s and the current generation of backpackers clutching their Lonely Planet and Rough Guides. American Road ultimately probes the meaning of what it is to be an American, not just a wayfarer.—anonymous

This documentary explores the artistic, musical and literary resonances of the mystique of the road - and especially of going off the beaten track - in American lore. The Westward expansion, the Dust Bowl era, hobos, post-war suburbanization and the Beat critique of it; hitchhiking, the upheavals of the 1960s and early 1970s and the current generation of backpackers clutching their Lonely Planet and Rough Guides. American Road ultimately probes the meaning of what it is to be an American, not just a wayfarer.—anonymous

This documentary explores the artistic, musical and literary resonances of the mystique of the road - and especially of going off the beaten track - in American lore. The Westward expansion, the Dust Bowl era, hobos, post-war suburbanization and the Beat critique of it; hitchhiking, the upheavals of the 1960s and early 1970s and the current generation of backpackers clutching their Lonely Planet and Rough Guides. American Road ultimately probes the meaning of what it is to be an American, not just a wayfarer.—anonymous

This documentary explores the artistic, musical and literary resonances of the mystique of the road - and especially of going off the beaten track - in American lore. The Westward expansion, the Dust Bowl era, hobos, post-war suburbanization and the Beat critique of it; hitchhiking, the upheavals of the 1960s and early 1970s and the current generation of backpackers clutching their Lonely Planet and Rough Guides. American Road ultimately probes the meaning of what it is to be an American, not just a wayfarer.—anonymous

Clancy Sigal ventured everywhere and accomplished everything a bold spirit possibly can in the turbulent course of a mere lifetime: street-smart city kid, precinct worker, union organizer, soldier, UCLA graduate, Hollywood agent, target of McCarthyism, European emigre, Fleet Street journalist, novelist, staunch leftist disdainful of party lines, enemy of cant of any kind, psychedelic journeyer, skeptical devotee of psychiatrist R. D. Laing, National Book Award nominee, and screenwriter of Frida and other films. An eloquent radical who shook up things in every milieu he encountered, nothing he ever wrote was predictable, except for the compassion, dark humor and demand for social justice always at the core.

Clancy Sigal ventured everywhere and accomplished everything a bold spirit possibly can in the turbulent course of a mere lifetime: street-smart city kid, precinct worker, union organizer, soldier, UCLA graduate, Hollywood agent, target of McCarthyism, European emigre, Fleet Street journalist, novelist, staunch leftist disdainful of party lines, enemy of cant of any kind, psychedelic journeyer, skeptical devotee of psychiatrist R. D. Laing, National Book Award nominee, and screenwriter of Frida and other films. An eloquent radical who shook up things in every milieu he encountered, nothing he ever wrote was predictable, except for the compassion, dark humor and demand for social justice always at the core.

Clancy Sigal ventured everywhere and accomplished everything a bold spirit possibly can in the turbulent course of a mere lifetime: street-smart city kid, precinct worker, union organizer, soldier, UCLA graduate, Hollywood agent, target of McCarthyism, European emigre, Fleet Street journalist, novelist, staunch leftist disdainful of party lines, enemy of cant of any kind, psychedelic journeyer, skeptical devotee of psychiatrist R. D. Laing, National Book Award nominee, and screenwriter of Frida and other films. An eloquent radical who shook up things in every milieu he encountered, nothing he ever wrote was predictable, except for the compassion, dark humor and demand for social justice always at the core.