With a unique perspective of the accompanying cameraman of Premier Zhou Enlai, the film tactfully tells the story that Premier Zhou went to the old revolutionary base area of Hebei Province at the beginning of the 1960s when our country suffered from the Great Chinese Feminine. He made in-depth research in Boyan commune of Handan District, work closely with the masses, followed up a clue and seized the culprit in four days and nights.

As the first film to reflect the development history of China's construction industry, the China Construction Association selected the group as the main co-shooting unit, which is a high recognition of the group's transformation and upgrading in recent years, and its achievements in leapfrog development. The Group attaches great importance to this and has established a cooperative shooting group with the party committee secretary and chairman Chen Wenshan as the team leader, the party secretary and general manager Liu Yong, the party secretary and disciplinary committee secretary Zhang Zhanguo, and the union chairman Chen Wenshuang as the team leader.

"Call me when you need me", this simple sentence quietly conveys the emotional power of "communication".

In 1995, the year before the comprehensive gun ban policy was implemented, the tranquility of Mangya Town was shattered. A notorious bandit leader, who had hidden a massive treasure, broke out of prison. Forty-three ruthless outlaws gathered from all directions, joining their leader, Beishan, in blockading Mangya by force. The entire town was plunged into a desperate crisis—cut off from fuel and communication! The bandits wanted both money and lives. Gunfire erupted across Mangya as a massive sandstorm loomed on the horizon. Facing impossible odds—one gun against eighty-eight—the gang also turned on each other in a brutal "dog-eat-dog" power struggle. Surrounded by enemies, with sandstorms blotting out the sun and death hanging by a thread—how can they turn the tide?

The film follows a protagonist trapped in a surreal life loop after a scathing boss encounter, using absurdist comedy to satirize modern workplace dynamics.