The plot is a trifle about an obnoxious restaurant delivery boy causing trouble with some local bad guys for the cook who secretly knows kung fu, eventually learning some techniques and finally, with the cook, confronting the bad guys.

Boss Chai (Wang Sha) serves as the leader of a group of thieves and skilled pickpockets. One fateful night, his most prized possessions fall into the hands of his senior disciple, Hsiao Hsiang Kung (Ye Feng), a renowned master thief among thieves. The two embark on a series of escapades marked by intense rivalry, crafty betrayals, and occasional partnerships. Amid their adventures, Hsiao Hsiang Kung demonstrates that he is not just a thief but also a compassionate man, assisting the less fortunate and coming to the rescue of distressed damsels.

Cheng Meng-chi (Liang Tian), celebrated for his cunning, embarks on a clever scheme to outwit his mischievous neighbour, Wu Tien-chuang (Wang Sha). Cheng’s ingenious trickery leads Wu and his mistress to believe that he possesses the extraordinary ability to turn chicken droppings into gold, resulting in comical confrontations and a string of stolen chickens. The narrative takes an entertaining twist as Cheng’s relationship with Crazy Ching (Chang Ying), the partner-in-crime of a gullible gold shop owner, transforms from playful neighbourly antics into an intense battle of wits, with Cheng consistently staying one step ahead of his adversary.

Kao is given a mission by his elderly master to take a cursed sword and solve petty squabbles between skilled martial masters.

Ah Niu, swindled of his fortune by cunning crooks, hits rock bottom. A fateful encounter with devious thugs reunites him with Uncle Chou, prompting their escape to the vibrant city of Singapore. Their journey is riddled with absurd mishaps, including a comical episode with a baby and a frantic pursuit by the relentless thugs. This final instalment of the series offers a colourful, wide-ranging tour of Singapore in the mid-1970s, brimming with slapstick humour and heartwarming moments.

Complex plots? This director didn't want them. Expensive, famous stars? Didn't need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as "the Kid," a monk whose education in the aptly named "Crazy Lo Han Fist" finds him battling a cruel bandit's son and befriending an abused prostitute. From then on, it's one fight after another in another John Lo Mar martial arts marvel.

A gang of thugs led by a ruthless bully (Hwang Jang Lee) has been terrorizing the residents of a small Japanese town for years, and the townspeople have finally had enough. But they won't stand a chance without the help of a local man's son who's been secretly studying kung fu. Now, it's a classic battle between good and evil, with warring factions throwing punches, kicks -- and insults -- with impressive skill.

A swordsman does everything it takes to bring justice. However, he has a drinking problem which eventually leads to his downfall.

The year is 1756 and the Emperor journeys to Soochow, where he encounters a famous courtesan and gets involved with in all sorts of un-emperor-like activities.

Sha Yung (Wang Sha) and Shuang La (Lin Hui-huang), a sly duo with some kung fu skills, make their living through clever schemes. After accumulating a sum of money through less-than-honest means, they venture into the “consultancy” business, which proves to be a thriving enterprise. Their path crosses with Ah Ying (Yang Tsing-tsing), who disguises herself as a man. Upon learning that she is being pursued by her widowed stepmother, Hua (Lo Wan-yin), and Hua’s lover, who conspired to harm Ying’s father, Sha Yung and Shuang La extend their sympathy. Hua employs a professional assassin to attack Ying’s hideout . The two resourceful con-artists assist Yang to resist the assault. Eventually, they capture Hua and her partner in crime, setting the stage for a reckoning with justice.