People in a red-brick-walled compound are barricaded by a group of mysterious men who threaten those in the compound day and night, telling them not to escape and act as if everything is normal. The people inside muse on the drastic changes in their lives, as their limits are constantly being tested and pushed. Some risk their lives trying to escape, while others lose their will and dwell in the surreal realm between dream and reality.

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

What’s the price one will pay for one’s beliefs? Chan Siu-yau’s life is forced to a halt after being charged, somewhat belatedly, with unlawful assembly and assaulting a police officer during a demonstration in support of striking dock workers over a year ago. In the eyes of fellow activists, she’s no radical, just a concerned citizen singled out for punishment amid an escalating tug-of-war between law enforcement authorities and rights advocates. While Yau is working her shift in a restaurant, busy taking orders and sorting out dirty dishes, the annual June 4 candlelight vigil takes place in the pelting rain, bodies soaked but high spirits undamped. Having missed her university admission exams with two criminal charges looming over her head, what does the future hold for her? Is she guilty as charged?

What’s the price one will pay for one’s beliefs? Chan Siu-yau’s life is forced to a halt after being charged, somewhat belatedly, with unlawful assembly and assaulting a police officer during a demonstration in support of striking dock workers over a year ago. In the eyes of fellow activists, she’s no radical, just a concerned citizen singled out for punishment amid an escalating tug-of-war between law enforcement authorities and rights advocates. While Yau is working her shift in a restaurant, busy taking orders and sorting out dirty dishes, the annual June 4 candlelight vigil takes place in the pelting rain, bodies soaked but high spirits undamped. Having missed her university admission exams with two criminal charges looming over her head, what does the future hold for her? Is she guilty as charged?

What’s the price one will pay for one’s beliefs? Chan Siu-yau’s life is forced to a halt after being charged, somewhat belatedly, with unlawful assembly and assaulting a police officer during a demonstration in support of striking dock workers over a year ago. In the eyes of fellow activists, she’s no radical, just a concerned citizen singled out for punishment amid an escalating tug-of-war between law enforcement authorities and rights advocates. While Yau is working her shift in a restaurant, busy taking orders and sorting out dirty dishes, the annual June 4 candlelight vigil takes place in the pelting rain, bodies soaked but high spirits undamped. Having missed her university admission exams with two criminal charges looming over her head, what does the future hold for her? Is she guilty as charged?

With unique access inside the battle for Hong Kong, FRONTLINE follows five protesters through the most intense clashes over several months of pro-democracy protests. The film examines their struggle against what they say is growing influence from the communist government of mainland China.

With unique access inside the battle for Hong Kong, FRONTLINE follows five protesters through the most intense clashes over several months of pro-democracy protests. The film examines their struggle against what they say is growing influence from the communist government of mainland China.

A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.

Via Dolorosa captures director’s journey in reconnecting with Vietnamese homeless persons whom she filmed for another short film two years ago. While she accompanied a man in his final days, Jo searched within herself to resolve the original sin of the documentary filmmaker as a bystander to the suffering of others.

The last Vietnamese refugee camp in Hong Kong was shut down in 2000, leaving a big group of refugees living on the streets. Some of them chose to live under the flyovers in Shum Shui Po. 2 or 3 things abt the bridge is a documentary short film on the Vietnamese migrant community that congregates under the Shum Shui Po flyover, in one of the poorest areas of Hong Kong.