When a lucky cow wins an all expense paid weekend at a local hotel, it can’t believe its good fortune. It gets to relax, unwind, and avoid a trip to the slaughterhouse - at least for a few days. Of course, it couldn’t imagine the menagerie of madmen it would run into. Down the hall is a pair of drug addled dimwits who are desperate for something to eat. The cow becomes their main focus. Meanwhile, two different spree killers are wrecking havoc. One murders at the command of some erroneous bath linen. The other listens to a voice inside his shoe, the instructions resulting in even more dead bodies. All the while, our contented animal tries to accommodate everyone’s needs, which typically revolve around a room service meal of meat and potatoes.

While the rest of America slept, DIY filmmaker/musician Giuseppe Andrews has made over 30 experimental features. Set in some demented alternate universe (i.e. Ventura, California), they are populated by real-life alcoholics and drug addicts, trash-talking senior citizens and trailer park residents dressed in cow outfits and costume-shop wigs. Director Adam Rifkin creates a wildly surreal, outrageously funny and strangely touching portrait of a truly Outsider Artist inhabiting a world few of us even know exists.

An artist named Poo paints chicken pot pies with the excrement of homeless people. With the help of an adult filmmaker in his drug rehab course, he hopes to earn a fortune by impregnating his wife and making a "pregnant porn" film.

On his 62nd birthday, confirmed lazybones Herbopolus grabs his nest egg and buys himself a new trailer, a fine 5th Wheel. Now all he has to do is sit back and wait for the Social Security checks to start rolling in. In the meantime, his insane brother Bananas Foster escapes from the Catalina Mental Institution and, looking for a place to hole up, gets Herbopolus to let him stay in his swanky new digs. So does their dad, a sex change octogenarian who's lesbian lover has kicked him out of the house. When the government fails to come through, they resort to collecting and recycling aluminum cans to make ends meet.

"Touch Me In The Morning" is the story of "Coney Island McGuire" a "change of life baby" son of an alcoholic jail bird father and "flatulence freak" mother. "Coney" stumbles through the intricacies of his divorced parents' new relationships, only to see his father's penis ripped off by his mother's new boyfriend. Subsequently, his father becomes a woman and his mother a pre-op Lesbian male only to fall in love again and reform the family.

Wiggly Harris is a volunteer worker at a senior citizen's home. Due to his obsession with stealing wigs, Wiggly has a warrant out for his arrest. Freaked out that his unemployment benefits have almost run out and bombarded with relationship issues(his stripper girlfriend demands that Wiggly lose his virginity to her and start meeting her sexual needs in one of the most memorable sex scenes ever filmed) Wiggly is quickly losing his grip. Further frustrated by his oddball parents (the father, a religious fanatic who feels the end of the world is coming soon, and the mother, who collects photos of food) Wiggly comes to a horrific end.

When we first meet the characters from Golden Embers, they are people in transition. One is a bride to be, hoping her ex-addict brother can stay sober long enough to walk her down the aisle. The sibling is a sexually obsessed dope fiend, desperate for any kind of psychosexual release - and lots of wacky white powder. Locked up in a hotel room, freebasing his sordid memories and many erotic needs, he slowly comes unglued. Soon, we are witnessing rampant mood swings, murderous hallucinations, and the world's most misguided nuptials, complete with dancing.

Trailer Town is a unique motion picture experience, truly unlike anything you've seen before. A sexual interpretation of inner violence, about out-of-work comedians living in a trailer park run by a soap opera star. The old comedians cannot work anymore due to their addictions, and come up with the filthiest, most offensive routines they can devise, to strike out at mainstream society, their only audience being themselves. When Bill recieves an eviction notice for having too many wild parties, he takes to the roof of his trailer with a rifle, and declares he is a victim of an 'aluminum holocaust.'

"Baby Swiss is obsessed with a strange science fiction film. She fantasies about living in its futuristic ideals, and keeps a separate DVD copy in a strongbox under the house just to be on the safe side. Naturally, this drives her unattended husband to the local whorehouse, known as The Village of the Moon. There, he meets up with other unhappy men and drowns his sorrows in high priced call girls. In the meantime, Baby Swiss discovers a kind of platonic love with a like minded neighbor. He is so desperate to be part of her life that he will wait outside her window. Their relationship will turn on whether she cleans the glass, or closes the blinds. And all the while, a homeless Greek chorus champions the freedom of living on the streets, unencumbered by the mindless machinations of being part of this so-called “proper society”" (review excerpt by Bill Gibron)

Plop - named after the sound he made upon his birth - is a notorious infant caregiver wanted by the police. Apparently, unwitting parents (including a particularly proud gay couple) have hired the semi-retarded redneck nanny under the pretense that he takes good care of his toddler charges. Instead, Plop beats and humiliates the children, taking out his own sad mental issues out on them. Thanks to an ex-girlfriend. However, the cops are hot on his trail. It won’t be long before the long arm of the law, or a mangled baby with a can of soup, ends Plop’s cruel crime spree once and for all.