In 1880, the criminal called The Wolf is responsible for a murderous rampage in France. When the Brisson Bank is robbed in Paris and the employee Michelle is murdered, the wealthy Chevalier Lucio del Gardo is the only chance to save the bank. Chevalier proposes to the owner M. de Brisson to deposit a large amount of gold, but in return he would like to marry his daughter Cecile. However, Cecile is in love with the efficient clerk Lucien Cortier that belongs to the lower classes and refuses the engagement. In order to get rid off the rival, Chevalier uses evidences to incriminate Lucien, manipulating the incompetent Parisian chief of police.

When a reporter is killed under mysterious circumstances, the political cartoonist on his paper begins to investigate on his own. He finds that a vengeful industrialist may be trying to manipulate an international peace conference to stage a bombing attack on London.

An aristocrat won't economize, then his rich brother in law is found murdered in the grounds of the aristocrat's house

American chorus-girl Mamie Wallace (Farrell) travels to Paris with a ramshackle touring musical revue. The company runs out of money, and it looks as though Mamie and her dancing colleagues are going to be stranded in Europe with no way home. Luckily, she meets a handsome, well-spoken Englishman Peter Millett (Hulbert), who falls in love with her and proposes marriage. Under the impression that he is a man of means, she readily accepts, imagining an entrée to English high society. The couple return to England and Mamie discovers to her horror that not only is her new home a decrepit farmhouse out in the sticks, but that Peter is a widower and his three children also come as part of the package.

A valet thinks his master is a murder, and tries a little blackmail.

Which soldier will the naive, impressionable Raina choose to love - the unromantic, hard-nosed, tough Bluntschli, or the handsome, dashing, reckless (and extremely stupid) Sergius?

Don't Get Me Wrong is a 1937 British comedy film co-directed by Arthur B. Woods and Reginald Purdell and starring Max Miller and George E. Stone. It was made at Teddington Studios with sets designed by Peter Proud. Unlike several of Miller's Teddington films which are now lost, this still survives. Miller plays a fairground performer who meets a professor who claims to have invented a cheap substitute for petrol. They team up and persuade a millionaire to finance them to develop and market the product, while unsavoury elements are keen to steal the formula and try all means to get their hands on it, involving slapstick chases and double-crosses. It then turns out that the miracle fluid is diluted coconut oil, and the genius professor is an escaped lunatic. The millionaire finds himself taking the brunt of the disappointment.

A writer poses as a shy butterfly hunter who has a fortune and is hounded by reporters.