A young woman who falls in love with her teacher is hit by heartache and challenges she is not prepared for and struggles to escape her dark frame of mind.

PUK SCHARBAU plays Lise Nørgaard in the epic film adaptation of her fascinating life story. In a chronicle of both love and war, masterfully directed by Peter Schroeder, we follow the woman who would later give us 'Matador', from her early childhood to her controversial career as a journalist with a Denmark of yesterday, and a Europe in flames as convincing backdrop.

In the late 19th century, a young Danish priest travels to a remote part of Iceland to build a church and photograph its people. But the deeper he goes into the unforgiving landscape, the more he strays from his purpose, the mission and morality.

A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.

Adda and her husband Ove live a quiet and routined life in their home of many years. Their marriage is filled with love and respect but Adda finds herself wondering what could have been. When their granddaughter visits this is brought to the surface and the dreams that Adda has selflessly been hiding start to show.

Set in 1962 during the Berlin crisis, the contented lifestyle of Carmen and her kid brother, whom she's nicknamed Babyface, comes to an abrupt end when their parents acrimoniously separate.

Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

A man grows up in very modest circumstances in the early years of the 20th century, but his diligence, intelligence and willingness to endure hardship helps him to become a leading brain surgeon. A success story on the face of it, but a story about a man – who is none other than the director's father – a man of powerful emotions. The film explores the nature and origin of the guilt that repeatedly deprived him of happiness.

In 1943, where everything was prohibited, and the Nazi grip on the Danish population tightened, more and more growing resistance to the occupation quite naturally in the Danish population. In Aarhus break 2 young men, Holger Mikkelsen (Ole Lemmeke) and Leo (Per Morberg) into a company who sympathize with the Germans, and burn repairer. It had been a close thing, but when, however, to reach safety before occupying forces emerge.