This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

From the islands of the Aegean (Tinos and Mykonos) to the cities of exile: Paris, Berlin, Budapest. Urbad and rural landscapes, connected not only with the continuous movement of Melpo but mainly with permanent exclusions and confinements in mental institutions. A Maze of history and its expression in accordance with the plans of the psychiatrist & poet Spilios Argyropoulos and linguist Vangelis Intzidis.

The life of Melpo Axioti, a modern Greek novelist and poetess. A navigation in the labyrinth of her life and her expression, through the analysis of the psychiatrist Spilios Argyropoulos.

The film reconstructs through an array of visual fragments, a multiplicity of languages, of peoples and their identities, the unique portrait of the poet and painter Etel Adnan.

The film reconstructs through an array of visual fragments, a multiplicity of languages, of peoples and their identities, the unique portrait of the poet and painter Etel Adnan.

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

The film is a collage of computer-generated works that reproduce erotic designs from classical antiquity to contemporary photographs and live footage. Through different filming techniques, a unique construction emerges, where the aesthetics of modern technology do not prevail, but rather a very personal perspective is discernible. The subject of the film refers to the diptych "Love-Death" – a theme familiar in the art world. Still lifes refer to painters such as Morandi, Caravaggio, or Lopez. The acceptance of ancient and contemporary heritage works in tandem with its rejection, as it is deconstructed through the destruction of materials and images.

The film is a collage of computer-generated works that reproduce erotic designs from classical antiquity to contemporary photographs and live footage. Through different filming techniques, a unique construction emerges, where the aesthetics of modern technology do not prevail, but rather a very personal perspective is discernible. The subject of the film refers to the diptych "Love-Death" – a theme familiar in the art world. Still lifes refer to painters such as Morandi, Caravaggio, or Lopez. The acceptance of ancient and contemporary heritage works in tandem with its rejection, as it is deconstructed through the destruction of materials and images.

The film is a collage of computer-generated works that reproduce erotic designs from classical antiquity to contemporary photographs and live footage. Through different filming techniques, a unique construction emerges, where the aesthetics of modern technology do not prevail, but rather a very personal perspective is discernible. The subject of the film refers to the diptych "Love-Death" – a theme familiar in the art world. Still lifes refer to painters such as Morandi, Caravaggio, or Lopez. The acceptance of ancient and contemporary heritage works in tandem with its rejection, as it is deconstructed through the destruction of materials and images.

The film follows a woman's internal migration through her childhood memories and descriptions of places and situations. In 1950, we see her at age 10 in her village in Macedonia; in 1956, at age 16 in Thessaloniki; and in 1960, her wedding in Athens marks a new phase in her life. Internal Migration, the director's most autobiographical film, was groundbreaking for its time in addressing the violent separation of a woman from her environment, while her move from her birthplace to another place becomes the occasion for an inner journey through the times and spaces of memory. She is followed by the echoes of the Civil War, rock and roll, the poets she loved—Karyotakis, Patrikios, Embeirikos—books, and films.