
Directing
Volodymyr Viktorovych Tykhyi (Ukranian: Володимир Вікторович Тихий; born on February 25, 1970; in Chervonohrad, Lviv Oblast, Ukrainian SSR) is a Ukrainian film director, screenwriter and film producer of documentaries and feature films. He is a member of the National Union of Cinematographers of Ukraine, and he is a 2018 winner of the Taras Shevchenko National Prize of Ukraine for a series of historical and documentary films about the Revolution of Dignity.

About the politically incorrect and patriotic adventures of four friends in a mysterious convent full of dangers. This time, to save Ukraine, the heroes plunge into the Russian sabotage Center. Kremlin agents are preparing a terrible crime against civilians. To win, your friends will have to get used to completely new, dangerous roles and come back from the dead several times.

About the politically incorrect and patriotic adventures of four friends in a mysterious convent full of dangers. This time, to save Ukraine, the heroes plunge into the Russian sabotage Center. Kremlin agents are preparing a terrible crime against civilians. To win, your friends will have to get used to completely new, dangerous roles and come back from the dead several times.

In an age when disinformation muddles the truth, a newly discovered voice cuts through the historical haze. She is Rhea Clyman, a young Canadian reporter who traversed the starving Soviet heartland when Stalin’s man made famine was just beginning in Ukraine. Clyman’s newly discovered newspaper articles for Toronto and London newspapers in 1932 show her remarkable resourcefulness and courage. After she was banished from the USSR for writing about the Holodomor and the Gulag, this brave woman went on to cover Hitler’s early lethal years in power.

"Stronger than Arms", is the history that heats our hearts up with the memory of events and people, who from the time of Euromaidan to the war in the East were building a new Ukraine.

An absurd story reflecting contemporary social problems in Ukraine, told in the century-old language of cinema, linking modernity and traditional Soviet socialist realism. Classical imagery imitates an old ideology contradicting the author’s worldview revealing the roots of reality’s distortion in this post-Soviet ambience showing that cultural, political and economic problems are knotted in military conflict.

An absurd story reflecting contemporary social problems in Ukraine, told in the century-old language of cinema, linking modernity and traditional Soviet socialist realism. Classical imagery imitates an old ideology contradicting the author’s worldview revealing the roots of reality’s distortion in this post-Soviet ambience showing that cultural, political and economic problems are knotted in military conflict.

An absurd story reflecting contemporary social problems in Ukraine, told in the century-old language of cinema, linking modernity and traditional Soviet socialist realism. Classical imagery imitates an old ideology contradicting the author’s worldview revealing the roots of reality’s distortion in this post-Soviet ambience showing that cultural, political and economic problems are knotted in military conflict.

About the politically incorrect and patriotic adventures of four friends in a mysterious convent full of dangers. This time, to save Ukraine, the heroes plunge into the Russian sabotage Center. Kremlin agents are preparing a terrible crime against civilians. To win, your friends will have to get used to completely new, dangerous roles and come back from the dead several times.

Kyiv in the nineties, tainted by a serious economic collapse and rising crime. A group of kids boost the family budget by washing cars at a gas station whose proprietors make a living in a rather dodgy way. The story is narrated by the 13-year-old protagonist, who eventually discovers how much this society has affected him.

This film plays out in Ukraine on a single day: March 14, 2022, the 2,944th day of the Russian-Ukrainian War. In the last few weeks, intense warfare has surreally mixed places and people and created a post-apocalyptic dimension revealing new qualities and roles. Thousands of Kyivans have moved to live in subway stations. The capital city's previously calm suburbs have been transformed into battle zones of destruction and looting by Russian occupiers. People no longer live according to "workdays" or "weekends," counting instead the number of days since Russia's full-scale invasion of Ukraine... The film presents this day in the lives of a pop music star, video engineer, historian, art restorer, polar researcher, and pensioner, who were all forced to radically change their lives.

