Commissioner Maigret's new case. At the rate of his further service in the police.

End of the 1930s. The times of Stalin's terror. Lieutenant Scherbakov got the order to shoot several "enemies of the people". Unexpectedly, a rural wedding found itself at the crime scene. Pursuant to the instruction, witnesses were also eliminated...

The film takes place in late 1941 in Transcarpathia. Soviet paratroopers landed on the territory occupied by the Hortists. Of the six, only Olexa Borkanyuk manages to bypass the ambush. However, the Nazis, taking local people hostage, threaten to punish them if he doesn't voluntarily surrender. For the sake of saving the lives of people, Olexa goes to the camp of the enemy. The film is based on real facts from the life of the writer and journalist, Hero of the Soviet Union Olexa Borkanyuk.

A young journalist, the daughter of a famous scientist, is trying to unravel the mystery of the disappearance of a famous doctor, admired by her father - transplantologist Hematos.

Woland from Mikhail Bulgakov’s The Master and Margarita, the guide at the Bulgakov Museum, little Mikhail on his own, and his nanny, united in a single narrative in this experimental documentary inspired by the biography of the writer. To approach this mysterious oeuvre the film combines the uncombinable. Re-enactments at Bulgakov’s house in the Podil neighbourhood are met with excerpts from films by Griffith, Lubitsch and Duvivier. The heady mix of storytelling techniques makes this film a hypnotising dream, confounding like the work of the writer himself.

“True art is the strength of its versatility and incompleteness,” says Daniel Lider, a great stage artist, teacher and citizen of Kyiv, the place where his art could express itself most freely. Mixing archive footage of Lider’s creative reflections with biographical facts narrated by his wife, the filmmaker keeps the film concise, bringing its cinematic form closer to the protagonist’s philosophy, as experimental as the television production of the 1+1 TV channel could allow.

It turns out that Andrei Tarkovsky’s great-grandfather and Ivan Tobilevych (Karpenko-Karyi) have family ties. In this film, Vadym Skurativskyi, a curious Ukrainian cultural historian, recounts this unexpected phenomenon, taking us to the tailend of the 19th century. Sergii Masloboishchykov recreates photographs of relatives and imposes them with the films of Tarkovsky.

In February 1918, the Russian ship Orion, carrying weapons for two divisions, is delayed in Plymouth due to the Russian Revolution. The British order it to Arkhangelsk, but it secretly sails to Vladivostok. Pursued by the British, a German submarine, and with a divided crew, the Orion raises the red flag upon reaching Russia. However, Vladivostok is controlled by interventionists, so the ship fights back to sea and delivers weapons to coastal partisans.

During the final months of the World War II, a group of special forces sailors, under the command of Lieutenant Balandin, receives a secret order of special importance to destroy enemy tankers, seaplanes and gun installations to ensure the free landing of their troops.

The film tells about the difficult and dangerous everyday life of submarine officers in love with their profession during the Cold War.