
Acting
From Wikipedia, the free encyclopedia. Vladimir Aleksandrovich Sokoloff (Russian: Владимир Александрович Соколов; December 26, 1889 – February 15, 1962) was a character actor on stage and particularly in film. Sokoloff was born in Moscow, Russia. He became an actor and assistant director with the Moscow Art Theatre before emigrating to Berlin in 1923. With the rise of Nazism, Sokoloff who was Jewish, moved first to Paris in 1932, then to the United States in 1937. He appeared in a number of Broadway plays from 1937 to 1950. He also quickly found work in American films, playing characters of a wide variety of nationalities (he himself once estimated 35), for example, Filipino (Back to Bataan), French (Passage to Marseille), Greek (Mr. Lucky), Arab (Road to Morocco), Romanian (I Was a Teenage Werewolf), and Chinese (Macao). Among his better known parts are the Spanish guerrilla Anselmo in For Whom the Bell Tolls (1943) and the Mexican Old Man in The Magnificent Seven. In the late 1950s and early 1960s, he also appeared on a number of television series, including three episodes of CBS's The Twilight Zone ("Dust", "The Gift" and "The Mirror"). On January 1, 1961, Sokoloff guest starred as "Old Stefano", a wise shepherd, in the ABC/Warner Brothers western series Lawman, with John Russell and Peter Brown. He also appeared on one episode of The Untouchables entitled "Troubleshooter". He was a pupil of Stanislavski, but in a 1960 newspaper article, he rejected Method acting (as well as all other acting theories). After a long career, he died of a stroke in 1962 in Hollywood, California. Description above from the Wikipedia article Vladimir Sokoloff, licensed under CC-BY-SA, full list of contributors on Wikipedia.

An oppressed Mexican peasant village hires seven gunfighters to help defend their homes.

During the Spanish Civil War, an American allied with the Republicans finds romance during a desperate mission to blow up a strategically important bridge.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

Circumstance, an old flame and a mother-in-law drive a happily married couple to the verge of divorce and insanity.

A Polish countess is dispatched by her country to become Napoleon Bonaparte's mistress at the urging of Polish leaders, who feel she might influence him to support Polish independence.

Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the attractive singer/petty crook, Julie Benson?

Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan—who has joined up on the side that appeals most to idealists of that era—has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a crucial bridge in order to halt the enemy's progress.

A guerilla leader falls in love with a mysterious woman in World War II Lisbon.

In 1880, Sir Robert Cargrave, a London physician known for his experimental work in paralysis treatment, is summoned to Gorslava by the mysterious Baron Sardonicus—who is now married to Cargrave's former wife, Maude—to treat his disfigurement. When Cargrave arrives, he finds the masked baron is a cruel sadist who has threatened to harm Maude if he is not successfully cured.

Newspaper men compete against each other to find a serial killer dubbed "The Lipstick Killer".


