On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.

The necrorealist science fiction plot involves a team of scientists attempting to cross a human being with a tree, and a special unit dispatched to hunt down the zombie-like mutants created in a previous, failed experiment

The necrorealist science fiction plot involves a team of scientists attempting to cross a human being with a tree, and a special unit dispatched to hunt down the zombie-like mutants created in a previous, failed experiment

A biologist, obsessed with the idea of writing a treatise on a new kind of mouse, becomes witness to a number of bizarre and horrific events, from his son's suicide, to the S&M engaged in by respectable middle-aged men, to his own family's psychic morbidity.

The protagonist of The Wooden Room is a director of documentaries, who lives with his wife - who is as stoic as he - in an isolated hut in the woods. The director is obsessed by filming marginal events in life. The closer he can get to these events with his camera, the more he becomes involved with them. In the end he falls victim to them. The film, with no dialogue and hardly any sound, is an experimental meditation on the complex, continually-changing relationship between a film-maker and his subject.

The protagonist of The Wooden Room is a director of documentaries, who lives with his wife - who is as stoic as he - in an isolated hut in the woods. The director is obsessed by filming marginal events in life. The closer he can get to these events with his camera, the more he becomes involved with them. In the end he falls victim to them. The film, with no dialogue and hardly any sound, is an experimental meditation on the complex, continually-changing relationship between a film-maker and his subject.

The rat lives in a cage that stands in the room of a large communal apartment in which the poet lives. The apartment is in the house; House - in the yard-well; The courtyard is in the city; And in the courtyard - 1939 ...In the film there are many newsreel frames of those times, the sound series contains both popular and propagandist songs, both Soviet and German. The plot is divided into many unrelated episodes, which are colorized in different colors. The author claims that everything shown should be understood outside of symbolism: everything in the film means only itself.