
Directing
Vladimir Konstantinovich Kott (Russian: Влади́мир Константи́нович Котт; born 22 February, 1973; Moscow) is a Russian film, TV and theater director, screenwriter, producer and editor. He is Alexander Kott's twin brother, who is also a filmmaker.

In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.
In kindergarten, a child is selected for the role of a gray mouse for a matinee. The parents of some of the children participating in the casting are directly related to art. Dad, a film director, dad, a theater director and mom, a singer, begin to prepare their children for the final viewing. Everyone has their own method of rehearsals and their own life, not devoid of problems and contradictions. A recently divorced filmmaker cannot start a new relationship with a prop girl he likes. The theater director is going through a creative crisis and is constantly striving to get home to his beloved wife and children. The self-obsessed singer is raising her daughter alone. They don't even suspect that a simple song about a gray mouse will help solve some of these problems.

Maya goes to a meeting with ex-boyfriend Zemo, who took her rightful time. She needs to say goodbye to this guy, because she has a new relationship. The meeting takes place in the park. In parallel, Maya writes her new love, which is already impatient to Maya belonged only to him. Maya, like a real woman, has to make a difficult choice between Summer and Winter. She's just in love Spring.

Director Mitya escapes from the set of the next television series. In this he is helped by the ghost of Marcello Mastroianni. The decision to escape launches a chain of events with the participation of Mitya's family and friends, which can only be unraveled by the answer to the question of what kind of director he wants to be: great, talented, or just normal.

Dmitriy is a popular actor, a star of action films. The public loves him for his image of a macho with an impenetrable face. One day, Dmitriy receives an offer from a stern but very rich businessman from Siberia, Sergey, to star in a crime drama about the 90s in the lead role of a cold-blooded killer. Sergey offers Dmitriy's agent a fee 10 times higher than usual. They agree. During the filming, Dmitriy is accidentally wounded by a shot. After a simple operation, he is ready to return to the frame, but faces an unexpected side effect: now he constantly smiles, and any emotions are expressed with laughter. Dmitriy has no chance to stop filming and "upset" Sergey, who clearly knows firsthand what he is making a movie about.

In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.

In present day Moscow three childhood friends in their forties - former school band players - live their everyday lives of a police officer, a taxi driver and a surgeon. They have lost track of each other. Three stories of betrayal, love and ageing are told in parallel. In fact, unknown to our heroes, their paths cross and their lives become connected. But they are not aware of it even when they reunite for a breaking performance at their graduation anniversary.

The second part of a comedy about a blogger who has to hide within the walls of a monastery from punishment on charges of insulting the feelings of believers.

The second part of a comedy about a blogger who has to hide within the walls of a monastery from punishment on charges of insulting the feelings of believers.

The trucker Fyodor Mukhin is an inveterate bachelor. Women love him, and he does not even remember everyone with whom fate brought him together. He also does not remember the teacher Masha from a small Ural town, from whom one day he receives a telegram asking him to come urgently. Something makes Fedor respond.

Katya, a highly-skilled racing-car driver, is forced to play in a deadly game where mysterious creatures are killing other racers.

The trucker Fyodor Mukhin is an inveterate bachelor. Women love him, and he does not even remember everyone with whom fate brought him together. He also does not remember the teacher Masha from a small Ural town, from whom one day he receives a telegram asking him to come urgently. Something makes Fedor respond.

Elena Mihailovna, having worked all her life in the only school of a provincial town, lives modestly in retirement. Unexpectedly she learns of a fatal diagnosis, which can at any moment end her life. Instead of an unbearable anticipation, she resolutely begins the preparation for her own death, in order to simplify the procedure for her son. She has not seen her only son for over five years because he worrks in the capital. Oleg is constantly busy, and he does not have time for his lonely mother. At the same time with all the new problems, the heroine receives as a gift a huge carp, which changes her life.

The action of the famous play about the inhabitants of the flophouse has been transferred to our days. The heroes live in a landfill, look for something to sell in the mountains of garbage, steal and drink. One day, Luka appears at the dump, who tries to comfort these people who have sunk to the bottom of their lives.

The film almanac, consisting of four short works, tells about children's destinies in the hands of adults.
