Through two unique female personas the film suggests a metaphysical idea of the present as ever recurring, since the temptations, which the human soul faces, are always the same. But any choice can be made only after the experience of the past is passed on and shared with a kindred spirit in the present. Such is the nature of the relationship between Adriana, the femme fatale of 1938, and the innocent Yura of 2008.

The anonymous characters of this visual omnibus meet outside of linear time in eight different stories. Loveless is a mosaic story on the comic in the imperfections, in the twists and turns, and in the great common human themes.