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The struggle of Belarusian peasants against the oppression of Polish lords during the reign of Paul I.
Soviet sailors boldly defend Leningrad from the German fascists.
A graduate of a choreographic school is looking for a new style for her part in the ballet "Sleeping Beauty". Alexei, a conservatory student, falls in love with the young ballerina.
Depicts Russian Tsar Peter the First's conquest over the Swedes and his son Aleksey's plot to overthrow him.
In an unnamed English-speaking capitalist land, a young engineer invents inexhaustible giant robots to replace the fragile human workers on high-volume assembly-lines, and soon finds his invention co-opted by the military-industrial complex.
Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.
Directed by Vladimir Gardin and Yakov Protazanov, this two-part epic was the most expensive Russian film at the time and smashed box office records. It is now considered lost, with only a 4 minute clip surviving.
Propaganda film directed by Mikhail Narokov and Nikandr Turkin. Partially lost.
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia
At the beginning of 1919, a serious threat loomed over Astrakhan: British aviation was striking from the air, an interventionist fleet was approaching by sea, and Kolchak and Denikin were besieging the city from the land. Under the direction of the new defense leader of the city, a group of communists secretly made their way into Baku, which had been captured by the British. Posing as oil traders, they purchased fuel and successfully delivered it to Astrakhan. The planes of the Red Army soared into the sky—and the defending troops went on the offensive...
The Kreutzer Sonata is based on a novella by Leo Tolstoy, named after Beethoven's Kreutzer Sonata. The work is an argument for the ideal of sexual abstinence and an in-depth first-person description of jealous rage. The main character, Pozdnyshev, relates the events leading up to his killing his wife.
The film shows one of the heroes of the uprising of the Belarusian, Lithuanian and Polish people against forced Russification and the restoration of Poland's independence in 1863.
In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.
An adaptation of Henrik Ibsen's Ghosts.
Tsar Nicholas I is enamoured by Natalia, the wife of Alexander Pushkin. To cover his tracks, the tsar encourages the suit of Georges d'Anthès, a French officer, with the help of Count Alexander von Benckendorff. Pushkin hears rumours of D’Anthès’s love for his wife and challenges him to a duel. The officer attempts to save his life by marrying Natalia’s sister Ekaterina. Returning from his country estate, Pushkin receives anonymous letters and insists on a duel with D’Anthès.
Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill.
Five-episode adaptation of the eponymous Russian novel, directed by Pyotr Chardynin et al.