A joint edit of the first three silent films about Švejk: The Good Soldier Švejk (1926, directed by Karel Lamač), Švejk at the Front (1926, directed by Karel Lamač) and Švejk in Russian Captivity (1926, directed by Svatopluk Innemann, based on the work by Karel Vaněk). The main role was played by the then very popular Karel Noll. The last silent sequel Švejk in Civilian (1927) exists separately, but the copy of the film is considerably damaged.

One of the first Czechoslovak films to be shown abroad--a fantasy horror, filmed on the fully furnished premises of the Berlin film studio Am Zoo. The central role is portrayed by the “arrivee from darkness”, Ješek, who is awakened from a deathly sleep. The film represents unusual sparks of creative efforts and the ambitions of creative community around the director Jan S. Kolár, who was inspired by international trends and techniques.

A biographical story about significant Czech dramatist, writer and actor Josef Kajetán Tyl.

An unknown gang has again broken into a van containing money from the European bank. Banker Sam Hamilton decides to use an armoured car for the next money transport. He hires racing driver Charly Allan as the driver. Allan is invited to Hamilton's house for a party. During a dance with the banker's daughter Bessy he is attacked by bandits, pushed to the ground and Bessy is kidnapped.

A morally questionable lord comes to the aid of a working class man who is to be executed for speaking out about thieving rich scoundrels sticking it to the poor.

A famous writer seeks the favor of a charming aspiring artist. However, Jarmila intends to dedicate her life to art, and men should have no other place in it than as models for the artist's work. So, the lovelorn Jan disguises himself as a fortune teller and a grandfather with a scythe, just so that the chosen beauty will notice him a little...

After a young man is arrested for a crime he didn't commit, the daughter of the local tavern owners must spring to the rescue.

Emanuel Pokorný, a bachelor, is to join a rural church school as a professor. Before leaving, however, he finds an infant abandoned in his room. Since he has no time to search for the child's parents, he secretly takes the child to the boarding house. And from that moment on, there is no end to his travails...

A kind-hearted man and lawyer's clerk, Kypr, selflessly takes care of his ward Anna Marie and in the evenings helps the poor and helpless with various legal problems at the U Hrubiána pub. While Anna Marie gains the opportunity to succeed as a singer, the aging man struggles with growing problems that stem not only from his work as a lawyer for the poor, but above all from his tragic past shrouded in mystery, which catches up with him again after years...

A lost lady's glove that connects several human destinies. The focus here is not on the lost part of the wardrobe, but on piano virtuoso Arne Brant, a man armed with a charming smile and surrounded by women, two of whom have particularly influenced his life. The first is the daughter of a famous can-can star, dancer Pavlína Doré-Zejdová, the second is Mařenka Berková, the main character of the film and a kind of Kristián in skirts. An orderly and well-bred daughter from an honorable family who lives her second life as a lady of high society. The lost glove complicates the situation for all of them considerably, but in the end she finds her rightful place, just like the heroes of the film...