Life of Czechoslovak soldiers in a military unit for the so called "politically unreliable" - the Technical auxiliary battalions, aka "the black barons". Although it might seem like a political satire and it's mostly funny, it shows the reality and the absurdity of military service under the communist regime. Based on a novel by Miloslav Svandrlik.

Capturing the dark humor of Czech author Michal Viewegh's chronicle of life after the Velvet Revolution, this black comedy chronicles three decades in the life of a small Czech family. While the original novel centered on the protagonist Kvido from his conception through his adulthood, first time director Petr Nikolaev and screenwriter Jan Novak changed the focus to his parents Milena, an extremely self-effacing lawyer who acts on stage in her spare time, and Ales, a rather aimless government worker who tends to drift wherever the wind takes him. The lives of Ales and Milena change dramatically following the Russian invasion of Prague in 1968.

They returned home to Czechoslovakia, believing that the long-awaited peace would come. However, history decided otherwise. Over two and a half thousand pilots served in the uniforms of the British Royal Air Force. Heroes to the British, who helped decide the outcome of the war, they were tried for treason in our country after the war... The Ballad of a Pilot takes place in late summer 1945 and early 1946, a time of euphoria over the newly acquired peace, when the network of interpersonal relationships, shattered by the war, began to reform. At first, it was thought that the First Republic democracy would take over the government, but the fate of Czechoslovakia turned out differently.

In 1913, Czech skiing champion Bohumil Hanč perseveres alone in a fierce snowstorm during a race, collapses from exhaustion and exposure, and is found by his friend Emerich Rath, who risks his own life in a desperate rescue attempt. Tragically, Hanč succumbs to the elements, and shortly after his friend Václav Vrbata, who lent Hanč his coat, also perishes in the blizzard.

After success of Kytice, which is based on the famous collection of poems of K.J.Erben, one of the most well-known character of classic Czech literature, Mr. Brabec went for even more famous poem Máj of K.H. Mácha, which is considered the peak of Czech romanticism

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

A poetic and powerful story of a father forced to choose between love and duty.

Prince Louis Ottomar Charles XII, born Noble, is very close to his loving mother, Queen Ludmilla. However, Prince Louis is already a bit too old, he is 39 years old. He's afraid of almost everything, doesn't want to get married, and spends most of his life hanging around the sumptuous castle and adjacent fields. The wise King Radomil therefore prepares an unexpected gift for him - the prince wakes up one morning in the forest in ordinary clothes and, accompanied by the rough knight Hudroval, he is to go out into the world to learn what life is all about and perhaps finally grow up. On his great journey of adventure, he will encounter things he has only read about in books. He will meet a powerful wizard, evil witches, a ghost, and the Lady Death herself... and maybe even find the love of his life. What will Mummy say about all this? And will Father King be happy?

This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.