The film version of the theatre musical production by the "Divadlo na provazku" in Brno tells the tale of legendary bandit Nikola Šuhaj from Koločava.

More than ten years have passed since the famous premiere of the equally famous drama Maryša by the Mrštík brothers at the Husa na provázku Theater in Brno. Vladimír Morávek's new staging provoked a number of enthusiastic responses as well as great indignation. He subsequently left for the theater in Hradec Králové to launch a great era of drama, which he crowned with a return to the scene of the crime – Brno.

The story takes place in Italy, a country where terrorism and kidnappings are almost daily occurrences. Rampant banditry, injustice, coercion, and ultimately hopelessness stem from political events. Sunny Italy is no longer just a place of ancient monuments and tables laden with fine wine. Now it is primarily a place of ever-deepening social and political divisions.

What has shaped the appearance of Brno and the lives of its inhabitants over the last two centuries? What do architectural monuments and cultural and social traditions refer to?

93, rue Lauriston, in the 16th arrondissement de Paris, is an address of bleak memory. It was indeed the headquarter of the French Gestapo, which was active between 1941 and 1944 and was headed by Henri Lafont and Pierre Loutrel, two wanted criminals. On the day of 1940 he was demobilized, little did well-meaning Léon Jabinet know that he would be associated with such disreputable characters. And yet, some time later, Odile Panzer, the Jewish girl he has been hiding at his parents'place, is arrested by the Gestapo. On this occasion Léon is offered a deal for her release: collaborating with the Carlingue (another name for the French auxiliaries of the Nazi police) and Odile will be free. Or else... What should he do?

It tells the story of a young man who was turned into a donkey by curiosity and a fatal mistake. While the hero despairs and does not know how to return to human form, we can observe through his eyes the society that surrounds him. The television fairy tale of screenwriter Jiří Bednář and director František Filip alternates dramatic tension with comic moments.