The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

A WW I veteran still haunted by his time in the trenches settles in a small town to work for the railroad company. His pretty wife attracts the attention of the lonely young gravedigger.

On the eve of Christmas, successful expatriate Karel returns to his quiet mountain village, and suddenly every marriageable girl in town vies for his hand, even storming his cottage. Determined to avoid marriage and instead sell the family farm and leave with his younger brother, he sets his would-be brides impossible tasks, and the very first challenge whittles the contenders down to just one: his stepsister Květa.

A fairy tale based on motifs taken from Josephine tales. Like Josef II, the fictitious emperor Maxmilián often disappears from the castle in disguise in order to find out how his vassals live. On one of these 'trips' he meets a drummer returning home from his stint in the army. They live through various adventures together, meeting bandits as well as human foolishness and perfidiousness which almost leads them to the scaffold.