
Acting
From Wikipedia Vivienne Sonia Segal (April 19, 1897 - December 29, 1992) was an American actress and singer. Segal was born on April 19, 1897 in Philadelphia, Pennsylvania. She is best remembered for creating the role of Vera Simpson in Richard Rodgers and Lorenz Hart's Pal Joey and introduced the song "Bewitched, Bothered and Bewildered". Pal Joey opened at the Ethel Barrymore Theatre December 25, 1940, with a cast that included Gene Kelly and June Havoc. She also starred as Morgan LeFay in the Rodgers and Hart revival of A Connecticut Yankee in 1942. One of Lorenz Hart's last songs, "To Keep My Love Alive", was written specifically for her in this show. Since the 1940 production went unrecorded, a studio cast was assembled in 1950 to record the musical. In 2003, this recording was reissued by Columbia Broadway Masterworks in a release featuring such Rodgers and Hart tunes as “I Could Write a Book”, “Bewitched, Bothered and Bewildered”, “Zip”, and “Take Him,” as well as two bonus tracks: Lang singing “I Could Write a Book” (from the CBS TV show Shower of Stars) and Segal—interviewed by Mike Wallace on the CBS Radio show Stage Struck—recalled Hart's promise to write her a show and then sings “Bewitched, Bothered and Bewildered”. She was also a performer on the CBS Radio program Accordiana in 1934. She retired from acting in 1966 following a guest appearance on Perry Mason as Pauline Thorsen in "The Case of the Tsarina's Tiara." Segal's first marriage to actor Robert Ames ended in divorce. She then married television executive Hubbell Robinson. She died in Beverly Hills, California of heart failure on December 29, 1992, aged 95. She was interred in the Westwood Village Memorial Park Cemetery in Los Angeles.

A romance between a struggling composer and an American singer.

In 1890, Gus Sascher joins the Austrian Army and romances the impoverished girl Elsa Hofner. Elsa instead marries the wealthier officer Franz von Renner, in an attempt at social climbing.

Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man's God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.

Bob Hope is the Master-of-Ceremonies at New York City's Carlton Club, which is going belly-up because the wife, Allyn Gillyn, of the owner, Donald Brian, won't let him book any female singers or acts because he has a penchant for hitting on them, and this makes her somewhat jealous and protective.

Rodgers’ friends and colleagues pay tribute to him. Among the original Broadway cast members reprising the songs they introduced are Vivienne Segal (“Bewitched” from “Pal Joey”) and Alfred Drake (“People Will Say We’re in Love” from “Oklahoma!”). Vera Zorina dances “Rodgers in Three Quarter Time,” a ballet created expressly for the show set to three Rodgers waltzes, and Mary Martin sings “Wonderful Guy” as Rodgers himself accompanies her on piano.

