Paris, 1956. Three sisters, three actresses willing to do almost anything to make it big. Their lives, their loves, their dramas. A savory satire of the world of show business and cinema in particular.

Charles, fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cell mate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino.

Proud, eccentric, and antisocial, Monsieur Hire has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town and discovers that his neighbors are only too ready to suspect the worst of him.

Town trollop Safia, much against her better judgment, falls in love with Matteo, a beggar and mystic in the native quarter of Sirocco. She flees to France, first as the mistress and then wife of a wealthy archaeologist, and bears him Matteo's child, whom he believes to be his own. Complications arise years later when Matteo finds Safia, and a ring of blackmailers uncover her past and exposes her to her husband.

Five unemployed workers win 100,000 Francs in the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But difficulties come to split their friendly group apart.

Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera. It was filmed in two versions, French and Italian, with the same screen cast but some different crew, and with Italian voices dubbed in on the Italian version, which have been munged together at IMDb. A third version, with English dubbed under the direction of British actor Noel Howlett, was made subsequently using one of the two (French or Italian) originals for the visual source.

Madame de Montespan, the Maîtresse-en-titre of Louis XIV, has been in disgrace since the King set eyes on a younger beauty, Marie-Angélique Scorailles. Having had enough of the situation, the rejected mistress decides to visit La Voisin, a woman known as a fortune teller, a doctor, a midwife and who is also said to arrange black masses and sell poisons. Some time later Marie-Angélique, now Duchess of Fontanges, dies mysteriously aged only twenty...

Célestin, the organist of a convent, has written and composed a light operetta under the name of Floridor. One day, the Mother Superior asks him to chaperone one of the boarders, Denise de Flavigny, who is returning home to get married. Now, Denise, for all her goody goody looks, soon proves as saucy as can be. Things get even more complicated when Célestin starts courting Corinne, the star of his operetta, to the great displeasure of a commander of dragons, the young woman's lover. Worse, the latter is none other than the Mother Superior's brother... To say nothing of Lieutenant Fernand de Champlatreux, who happens to fall in love with Denise, his fiancée that he has never seen before...!

Duparquet is the controller of Les Halles, and plays matchmaker between the young farm-girl Ciboulette and Antonin, a young spoiled aristocrat.

The wife of a Hungarian gentleman tires of helping him cheat and becomes the mistress of a diplomat.When she re-encounters her husband he is enfeebled and ill, so she takes pity on him.