It’s 3 a.m. Sergio and his wife Anna are deeply sleeping when the phone starts ringing. On the other side of the phone, an hesitant voice says: “There is a dead person down below”. Sergio is confused and decided to ring up his downstairs neighbor Enzo, who always bickers with his girlfriend Cinzia. But when Enzo come to Sergio’s house, he says that doesn’t even know about that call. Sergio and Enzo make hypothesis and assumptions and then decide to start an investigation through all the apartments in the building. Landing after landing, neighbor after neighbor, the investigation lead Sergio, Enzo and other neighbors to the last door. But sometimes things aren’t what they appear to be…

Andrea and Filippo love each other and have been together for many years, which is why Andrea thinks the time has come to get married and registers a request with the municipality with his own name, as if it were that of a woman: Mrs. Andrea Viglione. Being civilly united with Filippo is not enough for him, he wants marriage. He doesn't know, however, that many issues will have to be resolved before that day. First of all, Filippo doesn't find the courage to tell his father and grandfather that he is gay. But Filippo isn't the only one who doesn't have the courage to tell the truth in his family. Also Anna, Andrea's mother, who has rebuilt her life in the United States is unable to tell her husband Anthony and her son Jimmy that Andrea is gay. Especially since Anthony is running for governor of Kansas for the conservatives and his son Jimmy, while still a child, is already a talented evangelical preacher of strict principles.

Over a long weekend, a group of friends gathers together, a diverse representation of the last twenty-five years of the Italian left. Some of them haven't seen each other in a long time; the occasion is the release from prison of a former friend and comrade, accused of killing a judge in the 1980s. Roberto Ferro is on parole and wants to know which of his former comrades reported him. Among the friends, some have achieved privileged positions; others, like Nanni and Malena, have adapted to a more modest life and have retained, at least in part, the ideals of their youth. Malena, an Argentine exile who experienced torture at the hands of the military, had a love affair with Roberto and, before that, a strong bond with a disappeared comrade. Roberto's return reignites personal and political conflicts within the group.

Riccardo, a southern man of solid principles and good feelings, decides to go and visit his daughter Aurora, who has been living in Barcelona for some time. There, however, a surprise awaits him: Aurora has married a woman. Indignant, Riccardo hastily returns to Italy, determined never to see her again. But perhaps destiny has decided otherwise.

Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.

On the 20th anniversary of Federico Fellini's death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of his personality, employing interviews, photographs, behind-the-scenes footage as well as his drawings and film clips.

Three teenagers are preparing for their final exams, but their main interest is certainly not their studies. Stefano dumps his girlfriend for the beautiful Caterina, but her boyfriend Gianluca forces him to disguise himself as a Jim Morrison fan to win over another classmate. Annalisa, the girl Stefano dumped, will find the man of her dreams.

Filumena has lived for years with a wealthy pastry chef. She forces him to marry her, but he soon asks to annul the marriage. She then reveals that one of her children is his, making him obsessed to know which one.