In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

Alan Lomax (1915-2002) was a song collector who recorded ordinary people, who gave their heart and soul in front of his microphone. The film maker decides to search for people Lomax recorded, travelling through Europe in an old Volkswagen. His journey leads him past desolate Scottish islands, through the withered interior of Spain and to isolated Italian mountain villages. The search is combined with conversations with colleagues and friends of Lomax. Throughout the movie, every now and then we return to a frail but happy 86-year old Lomax. In this passionate and musical roadmovie we slowly discover why folk music can be so pretty and what could have once possessed the legendary Alan Lomax.

Documentary about the Soviet film director and his changing fortunes during the Stalin years.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

By tracing the places of Vittorio De Seta films and looking for people who had contact with him, as the Cozzo Disi sulfur miners, Ganzirri swordfish fishermens and shepherds who attended in drama Banditi a Orgosolo, the documentary focuses on great change started in local cultures of the Southern Italy from 1945. The film includes an interview with De Seta, conversations with the film directors Luciano Tovoli, Franco Maresco, Gianfranco Pannone, writers Vincenzo Consolo, Goffredo Fofi, Eugenio Turri and the critic Marco Gazzano. Set in Calabria, Sardinia and Sicily, the film was shot in 35mm film and digital, contains stock footage and images taken by De Seta.

This portrait of a film director unlike any other attempts to capture the essence of Vittorio de Seta’s rapport with the humble people he filmed and elegantly brought to Cinema Scope’s big screen in color from the 1950s onwards. From his home in Calabria, the film director looks back over his epic films.

Interview by Ciprì and Maresco with Vittorio De Seta and Fofi.