Virginia O'Brien Movies, TV Shows, and Filmography
Virginia O'Brien
Acting
Biography
Known to classic film fans by various nicknames--including Miss Deadpan, Frozen Face, and Miss Ice Glacier--this statuesque, dark-haired singer/actress carved a unique niche for herself on stage and screen by the hilarious Sphinx-like way she delivered a song. The daughter of the captain of detectives of the Los Angeles Police Department, Virginia Lee O'Brien became interested in music and dance at an early age (it didn't hurt her career chances that her uncle was noted film director Lloyd Bacon). Her big show-business break came in 1939 after she secured a singing role in the L.A. production of the musical/comedy "Meet the People". On opening night, when time came for her solo number, Virginia became so paralyzed with fright that she sang her song with a wide-eyed motionless stare that sent the audience (which thought her performance a gag) into convulsions. Demoralized, Virginia left the stage only to soon find out that she was a sensation. Signed by MGM in 1940, she deadpanned her way to acclaim and immense popularity with appearances in some of the studio's most memorable musicals including Thousands Cheer (1943), The Harvey Girls (1946), Till the Clouds Roll By (1946), Ziegfeld Follies (1945), Panama Hattie (1942), Ship Ahoy (1942), Meet the People (1944) and Du Barry Was a Lady (1943), performing inimitable renditions of such classic songs as "The Wild Wild West" (from The Harvey Girls), "A Fine Romance" (from Till the Clouds Roll By (1946)), "It's a Great Big World" (from The Harvey Girls (1946)), "Poor You" (from Ship Ahoy (1942)), and "Say We're Sweethearts Again" (from Meet the People (1944)). Although too often relegated to featured songs and small supporting roles, she still managed to become an audience favorite by the sheer force of her personality, polished vocals and way with a comic quip. The latter ability is especially apparent in one of her last MGM films, Merton of the Movies (1947), in which she co-starred with Red Skelton. In 1948, after 17 memorable screen appearances for MGM, the studio unceremoniously dropped her from its roster. She returned to films only twice more after her termination from MGM, in Universal's Francis in the Navy (1955) and Disney's Gus (1976), preferring to focus her energies on television and the stage, where she delighted audiences for three more decades. In the 1980s the still youthful beauty toured the country in a one-woman show and recorded a live album at the famed Masquers Club entitled, "A Salute to the Great MGM Musicals". One of her last significant stage appearances came in 1984 as Parthy Ann in the Long Beach Civic Light Opera's production of "Showboat", with Alan Young. She remained in semi-retirement in a large home in Wrightwood, California, for most of her later years until her death at the Motion Picture Country Hospital in Woodland Hills, 16 January, 2001, from a heart attack.
Filmography Movies
Acting
Du Barry Was a Lady
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is in love with a poor dancer but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May to marry him and she accepts even though she doesn't love him. Soon after, Louis has an accident and gets knocked on the head, where he dreams that he's King Louis XV pursuing the infamous Madame Du Barry.
Thousands Cheer
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her father. Eddie's also plagued by fear of having an accident during his family's trapeze act in the army variety show, which also features a gallery of MGM stars.
Ship Ahoy
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, but fails to see why she would be involved.
Francis in the Navy
In the U. S. Army intelligence office, bumbling lieutenant Peter Stirling receives a coded message from his friend, Francis, a talking mule. The note urges Pete to hurry to the Coronado, California naval base, where Francis is about to be sold as surplus. Pete rushes to the train station, but before he can board, nurse Betsy Donevan mistakes him for her shell-shocked brother, Navy boatswain Slicker Donevan. She tries to forcibly remove his uniform so he will not get into trouble for impersonating an Army officer. Finally she realizes that Pete is not Slicker but merely his mirror image.
Till the Clouds Roll By
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of his most famous: 'Showboat'.
Meet the People
A idealistic shipyard worker interests a beautiful Hollywood star in staging a musical tribute to the war industry, but they disagree on some important issues.
Panama Hattie
Sailors and spies mingle in between the acts at Hattie's nightclub in the Canal Zone.
Merton of the Movies
In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned.
Ringside Maisie
Young undefeated boxer Terry Dolan, who's been lying to his invalid mother about his career, confides to Maisie that he hates and is terrified by boxing and wants out. Not wanting to let down his best friend and manager Skeets Maguire, who has hopes of him becoming the next champion, he is reluctant to bring up the subject with him. Maisie convinces Terry to tell Skeets, whose unexpected reaction induces him to step into the ring again.
Screen Snapshots Series 21 No. 1
This edition of Screen Snapshots has more of a vaudeville flavor as opposed to Ralph Staub's usual candid-camera at home with the stars offerings. Ken Murray, assisted by the Brewer Twins, is the MC, while the Andrews Sisters sing "In Apple Blossom Time" and the pre-"Uncle Miltie" Milton Berle plays his clarinet. The rest of the players, with contract-player faces belonging to 20th-Century Fox, RKO Radio, Universal and Columbia, just pass through. Production Number 3851.
Gallery
