A woman recovering from an eating disorder re-encounters someone from her past.

Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.

Doctor Kruger dreams to insert “the suicide in modernity”. He offers to his patients the service of a private clinic where one can die in all peace, champagne glass to the hand. But in the private clinic of “ideal death”, nothing occurs as envisaged.

11-year-old Polina, who knows nothing about her past and parents, lives with her spiteful aunt and wicked cousin. They secretly plan to get rid of the girl at the day of her birthday, all to get their hands on her mysterious inheritance. Chased by the villains, Polina manages to escape on a magical quest to discover the secret about her family. But she only has until midnight to achieve this goal.

Jenny, a young American woman, moves to Paris and gets involved with Jack, who is seemingly the man of her dreams. However, he has a lot to hide and Jenny quickly gets entangled his dangerous lifestyle.

French-American artist Niki de Saint-Phalle, from the age of 23, is a model and an aspiring actor who is married and has a two year old daughter. Together, they flee the U.S. during the oppressive McCarthy era and come to France, where they experience a short-lived euphoria. Soon, distant and frightening memories begin to emerge in Niki’s mind. Her vocation as an artist will be her salvation.

Sami works in a children's home which is set to be closed. The young man is an enthusiastic stadium usher and has convinced the president of the Olympique de Marseille football club to help them keep it open.

The frustrated loves of Jean Cocteau and Raymond Radiguet at the beginning of the 1920s. The death of Radiguet that sank Cocteau into opium. A story under the influence of drugs. A narrative in the spirit of Cocteau. And all this in a musical.

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.

A comic drama set on a Mediterranean island, where a motley collection of characters is seeking musical redemption.