May 6, 2012. Cable news reporter Laetitia is covering the French presidential elections, while Vincent, her ex-husband, demands to see their two young daughters. It's a manic Sunday in Paris: two agitated girls, a frazzled babysitter, a needy new boyfriend, a grumpy lawyer and France cut in half!

The overexcited night of a young pinched painter and a crazy comedienne. In the impossibility to end up alone, Laetitia and Thomas cross every situation between drama and lightness, until a violent event marks their meeting of a strange complicity.

A house in the French countryside as a miniature of society: When Audrey arrives, she is confronted with a lecture right away. The landlord tirelessly underlines how progressive he is, and what a unique space he has created outside the urban centres. While his utopia doesn’t seem to leave much space for others, he is surrounded by three other volunteers who work for him. The house isn’t very large so all of them find themselves unable to avoid each other. Starring the remarkable independent filmmaker Virgil Vernier in a blissfully awkward performance, Brieuc Schieb navigates humour, irritation, and intimacy in his meticulously composed first feature – all to face a question not just today’s art world is obsessed with: Who can really bear living in a collective?

Nora is a bright young professional whose new job at a financial firm turns out to be a trial by fire when she learns that her bosses share a tumultuous history with her prickly mathematician father. Meanwhile, an interoffice romance with a competitive colleague leads to even more complications, leaving Nora to navigate a minefield of delicate relationships as she climbs the corporate ladder.

Paris, France. Fred and his colleagues, members of the BPM, the Police Child Protection Unit, dedicated to pursuing all sorts of offenses committed against the weakest, must endure the scrutiny of Melissa, a photographer commissioned to graphically document the daily routine of the team.

A young woman invents the love she does not get and she needs. She has always done that, since childhood. It has become a disease. When Nicolas leaves her she refuses to believe it. He will love her anyway, it is needed, she needs it.

A silent, musical and sexy movie. A theme: the loving parade. Characters who make tours (of magic, sometimes). In each the reverse angle, the other, in each or almost their song, as a fiction (a decoration) surrounds their character.

Axèle is a photographer, Camille is a writer. They have been awarded an arts residency at the Villa Medicis in Rome. Camille is accompanied by her husband, the famous writer Marc Landré. When a strange rivalry takes shape between them, Camille bonds with Axèle. But who is Axèle really ? A total artist, who never compromises and confuses herself with her oeuvre ? Or a ghost ? This year at the Villa Medici, where bodies and souls free themselves, no one will come out unscathed.

Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.