People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Four young people, Bastien, Théo, Jeanne, and Han, meet in a Chinese restaurant. Jeanne talks a lot, especially about herself. Han, a young Chinese immigrant, is still looking for a place to sleep, but doesn't let on. The two boys size each other up and observe the girls.

"1998" arises from the diary written by a thirteen-and-half-year-old girl for her best friend, another girl, during the summor of 1998. The film visits the house, garden, and setting where the diary was written and where the female narrator spent her all her summer vacations until 2018. A text, a voice, a setting where we follow the tale of a summer and the intensity of the relationship with her best and adored friend.

In a society where kissing is punishable by death, and people pay for things by receiving slaps to the face, Angine, an unhappy woman, shops compulsively in a department store. There, she becomes fascinated by a playful salesgirl. Despite the prohibition of kissing, the two become close, raising the suspicions of a jealous colleague.