'Malo Misto' lives its own life, but not far behind the times. Hotel manager Roko Prč strives to organise tourism, so he introduces the first nudist beach. His wife Anđa brings two of her cousins from the Dalmatian hinterland and demands Roko to hire them. One of them, a young man named Ikan, earns the attention of a beautiful Swedish tourist. From Chile to Malo Misto returned Tonči, nicknamed Servantes, of course, without any money. He fell on the back of his hardworking aunt Keka, who even without him has enough problems of her own. Servantes also experiences an unexpected romance.

A young female student of music finds herself in a Dalmatian town in order to practice organo playing in the local church, and there she falls in love with a timid young man who helps her with it.

The story of the Dubrovnik landowner Nikša Prokulić, who fiercely opposes romance between his daughter Jela and the Czech officer Marek, member of the Austro-Hungarian army that occupied their city in 1814, after the departure of the French. The story of the final downfall of the Republic of Dubrovnik thus also becomes the story of the agony of an ancient aristocratic family.

Through Šimun’s conflict with the head of the new agricultural cooperative, where he is forced to work in order to feed his family, the changes that land reclamation has brought to everyday life in the Neretva Valley are depicted, destroying the traditional way of life.

Father goes on a honeymoon with his American wife, but the children go along with them.

The last play that Miroslav Krleza ever wrote. Especially interesting is the directorial concept, which sets the play in the space of the old Dubrovnik fortress, and used the audience as semi-active participants in the event. Two acting ensembles played for different audience with a short time lag.