
Directing
From Wikipedia, the free encyclopedia. Vincent Ward, ONZM (born 16 February 1956) is a film director and screenwriter. Description above from the Wikipedia article Vincent Ward, licensed under CC-BY-SA, full list of contributors on Wikipedia.

In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).
This Kaleidoscope documentary timed in with the release of Nicholas Reid’s book A Decade of New Zealand Cinema. The book cherrypicked Reid's favourites from the renaissance in local movies that began with Sleeping Dogs in 1977. Reid and a who’s who of local filmmakers discuss many of the 50+ features from the previous decade (with Bruno Lawrence ever present). They ponder the uniqueness (or otherwise) of Kiwi film. A fondness for rural and small town settings, and forceful, often conflicted, male leads is explored. Neglected areas — Māori film and more of a voice for women — are traversed.

In Los Angeles, Max Carlyle makes a good living directing commercials and has a happy home life with his wife, Mimi, and two children. When Carlyle travels to New York City to visit his friend Charlie, who has been diagnosed with AIDS, he has repeat run-ins with a beautiful woman, Karen, and eventually sleeps with her. Though he goes home the next day and doesn't return until a year later, Carlyle's infidelity still lingers.

Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.

This low-budget satire takes a shot a Hollywood as it follows two desperate, unsuccessful actors, Dern Reel and Patrick St. Patrick, who steal 10 recently shot rolls of film from Tinseltown's newest darling, the director David Egoman, and hold them for ransom.

The creation of the film Alien³ (1992) is covered here in this feature-length documentary in exhaustive detail. Many interviews with the cast and crew give us an idea of how hard of a time David Fincher had creating his first feature film, as well as present us with much information about every element that went into making this film, including how the plot and script changed drastically through filming.

Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.

In 1860s New Zealand, a young Irish woman desperately trying to find her son finds herself caught on both sides of the lines during the wars between Māori tribes and the British colonial army.

In 1860s New Zealand, a young Irish woman desperately trying to find her son finds herself caught on both sides of the lines during the wars between Māori tribes and the British colonial army.

Chris Nielsen dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he died, his wife Annie killed herself and went to hell. Chris decides to risk eternity in Hades for the small chance that he will be able to bring her back to heaven.

Toss lives on a sheep farm with her father in New Zealand. When Toss's father dies in an accident, Ethan, an itinerant hunter, wanders onto the family farm and is given a job by her grandfather. Toss's fairly innocent relationship with Ethan is severed when he forms a relationship with her mother.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).

In an Arctic village in 1931, British mapmaker Walter Russell selects 12-year-old Eskimo Avik as his guide. When the boy contracts tuberculosis, Walter flies him to a Montreal hospital, where Avik meets Albertine and is infatuated. A decade later, a grown Avik encounters Albertine again in London, where he's serving as a British combat pilot. Despite her relationship with Walter, she and Avik begin an affair.

In an Arctic village in 1931, British mapmaker Walter Russell selects 12-year-old Eskimo Avik as his guide. When the boy contracts tuberculosis, Walter flies him to a Montreal hospital, where Avik meets Albertine and is infatuated. A decade later, a grown Avik encounters Albertine again in London, where he's serving as a British combat pilot. Despite her relationship with Walter, she and Avik begin an affair.

Cumberland, 1348. The plague is spreading in medieval England. The remote village of little Griffin is also threatened. But the 9-year-old boy has a recurring dream that holds the key to a tiny hope of survival: a lake with a coffin floating on it. A white church with an iron cross. A falling glove. A falling silhouette. A torch tumble through a dark shaft into infinity. With his brother he recognizes in it a prophecy to escape the Black Death. So they embark with a few men on a journey to a distant cathedral, where they want to set up an iron cross as an offering to God. Her path leads them through a deep and dark mine shaft into an unknown land and completely outlandish time - into the present-day New Zealand of the 1980s.

