
Acting
From Wikipedia, the free encyclopedia Vince Barnett (July 4, 1902 – August 10, 1977) was an American film and television actor. He appeared on stage originally. Barnett's initial involvement with Hollywood was as a screenwriter, writing screenplays for the two-reeler movies of the late 1920s. He began appearing in films in 1930, playing hundreds of comedy bits and supporting parts. One of his more sizable screen roles was the moronic, illiterate gangster "secretary" in Scarface (1932). Among his best-regarded early roles, apart from Scarface, were The Big Cage (1933), Thirty Day Princess (1934) and Princess O'Hara (1935). In later years, Barnett played straight character parts, often as careworn little men, undertakers, janitors, bartenders and drunks in pictures ranging from films noir (The Killers, 1946) to westerns (Springfield Rifle, 1952). He was a welcome presence in "B" comedies and mysteries: as Runyonesque gangsters in Petticoat Larceny (1943), Little Miss Broadway (1947), and Gas House Kids Go West (1947), and notably as Tom Conway's enthusiastic sidekick in The Falcon's Alibi (1946). After World War II, with the Hollywood studios making fewer films, Barnett became a familiar face on television.

In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.

A condemned inmate's premature death places officials under suspicion.

Following WWII, ex-G.I. Stan opened up a drive-in restaurant. His girlfriend, Joanie, is one of the car hops. They want to get married someday, but the less-than-stellar business the restaurant takes in puts a hold on that plan. One day, Joanie's ne’er-do-well brother Frank blows into town with a money-making scheme. She's against it, but Stan - an inveterate gambler - finds the promise of riches too seductive to resist…

A compilation of film clips of comedies from 1930's.

This is an anthology film with three stories. In "Portrait of a Murderer", a female artist draws sketches of a mysterious neighbor. She is unaware that the man is a murderer. "Duel at Dawn" is set in 1880s Austria. Two military officers fight a duel, with the survivor free to claim the heart of their shared love interest. "The Midas Touch" is a romance story of sorts. Jonah Watson is a successful American businessman, but is disgruntled with his life. He emigrates to England to start a new life, and works as a common servant. But he falls in love with a cockney maid who dreams of marrying into wealth.

Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt.

Timeworn Joe Collins and his fellow inmates live under the heavy thumb of the sadistic, power-tripping guard Captain Munsey. Only Collins' dreams of escape keep him going, but how can he possibly bust out of Munsey's chains?

Banished from various U.S. protectorates in the Pacific, a saloon entertainer uses her femme-fatale charms to woo politicians, navy personnel, gangsters, riff-raff, judges and a ship's doctor in order to achieve her aims.

Songwriter Gus Kahn fights to make his name, then has to fight again to survive the Depression.

Two hit men walk into a diner asking for a man called "the Swede". When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator, on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman who may have lured him into pulling off a bank robbery overseen by another man.


