There is a Brazil that does not get naked. Who doesn't know what art is and who takes a shower in clothes. Who doesn't read books and doesn't have sex. That burns museums and beggars.

After returning from her husband's requiem mass, Clarice gets into an argument with her daughter Andrea about the family's dark past.

After returning from her husband's requiem mass, Clarice gets into an argument with her daughter Andrea about the family's dark past.

As a poetic documentary, the film is committed to focusing on the process of self-identification as black of the individual who is considered pardo in Brazil. To this end, we spoke with 5 lightskin individuals located in different sociocultural contexts about their particular processes of building a black identity, taking into account the entire whitening culture to which they were exposed.