A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

A former Triple A (Argentine anti-communist alliance) is abandoned by his former colleagues after the Argentine dictatorship falls, in the course of his solitude he slowly becomes more insane and falls further into dementia, at the same time as one of the parents of the many children that he murdered and tortured during the dictatorship persecute him for revenge.

It is the story of Eleanor, a good housewife who lives with her husband, Fernando, and their two children. Deeply loves her husband and does not question the reciprocity of love and fidelity. One day, circumstantially, discovers her husband is cheating. Leonor emotionally feels betrayed and realizes that his world, based on a lie, has collapsed like a house of cards. With more fear than conviction, leaving the house, leaving little signs with instructions for their march and trust their children to the care of her husband.

Yepeto is a professor in his 50's, a prestigious writer who holds a chair in the literature department. Cecilia, an 18 year old student is the object of Antonio's desire. (Antonio is a young athlete, also very attractive.) Yepeto starts to feel passionately, but silently attracted to Cecilia, while at the same time, builds up his friendship with Antonio. Will this force Yepeto to give up, out of loyalty to his friend and student Antonio, all contact with his desired student Cecilia

Juan remembers his childhood spent during the fifties in Argentina, when he lived doubts, fears and conflicts typical of the passage towards adolescence, surrounded by his family and the neighbors of the neighborhood

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

The history of the Teatro Abierto, which was initiated on July 28, 1981 as a cultural reaction against the last Argentine civic-military dictatorship, and organized by a group of artists and workers from the theater world

The film is a fictional chronicle of a resonant police case that occurred in the city of Catamarca: the crime of the young María Soledad Morales, which had great public repercussion due to the links with the power of the culprits.

Living with his parents, 17-year-old Juan hangs out with several intellectuals who would like to photograph the human soul. The girlfriend of the group's financier is Ana, and Juan is attracted to her, despite the knowledge that she spent two years at a clinic because she was "crazy." Juan sees Ana when he can and trains as a door-to-door salesman, but when the German photographer on the soul project gives him a viewfinder, it changes his life, putting him on the path to his later success as a Hollywood director.

Gabriel and Sergio meet at the psychiatric hospital where they are interned. Gabriel is a rebellious and violent young man marginalized by society. Sergio is a programmer and systems analyst and has an enviable attitude to fight against life. Soon the promise of fighting against injustice unites them.