Belarus. Town of Zhlobin. It's been 21 years since the collapse of the Soviet Union. Most of the locals survive solely by making and selling soft toys. Their only customers are the people passing through on trains. However, approaching a train with a toy in one's hands is illegal. The film tells the stories of ordinary people living in the town of Zhlobin. They all make toys, sell them, have chats, drink, go back to making toys, sing, fight and... make toys again.

The story of the film is based on the artist’s home videos and documentary material covering a decade of his creative work. The author presents his apartment as a living space and the main character of the film. By engaging his entire family in the project, he creates a new micro-social model of his home, where they all act according to self-imposed rules. Events that take place are both casual and creative: the living space becomes a stage, routine becomes performance and the other way round, art projects become family entertainment, as well as a radical transformation of the home.

Adomas encounters a group of hooligans tearing through streets in a car. Drawn into a violent tournament with an unusual trophy at stake, Adomas finds his morals shifting.

A corrupt politician tries to get some decency points by marrying his beloved daughter to a simple farm guy.

A self-built screen amid an expansive green landscape. On it dance silhouettes of the surrounding trees and bushes. A natural cinema – without a darkened cinema hall, without artificial light and without film. From various camera positions, Viktoria Schmid portrays her screen, installed in the sculpture park of the Djerassi Resident Artists Program, as a moving image within a moving image.

In a Russian-occupied town in southeastern Ukraine, where burying the dead has been forbidden, the church of a young priest, Andriy, has been turned into a morgue for executed Ukrainian civilians. As the occupation tightens its grip, Andriy quietly begins to resist, secretly returning the bodies to their families at great personal risk. Along the way, he forms an unexpected bond with Makarov, an 11-year-old boy who becomes the silent witness to his rebellion.