Art
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A tribute to Martin Slivka, one of the most important personalities of Slovak cinematography and culture. He was the creator of Slovak documentary ethnographic film, director, screenwriter, dramaturgist, film theoretician, pedagogue, author and ethnograph, but mainly – exceptional person. This documentary is not only a remembrance of maestro Slivka through words of his close friends and colleagues, but also an attempt to slightly uncover the secret of his rich life and work.
The film presents a parade of customs, music, songs and dances of the Slovak people in four seasons, based on a theatre play by I. Teren and K.L. Zachar from the first years after the liberation.
When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.
An unconventionally seen story from the period of the Slovak National Uprising will especially interest you with the character of the village lad and brawler Vince Kucek, played by Ivan Romančík. Hours and hours spent in the pub, riots with friends, scenes of jealousy towards his old rival Petr Chuťek, now a partisan commander, hostile memories of the strict teacher Machoň – all this fills the seemingly carefree days of the self-confident farmer, father of two small children, husband of the faithful, devoted Eva. However, the situation in the village is getting worse. Some of the men go to fight in the mountains, but the stubborn Kucek refuses to go with them.
A girl is transformed into a maple tree by her impulsive and angry mother. Three poor wandering musicians come by the tree and create instruments from it. Walking around the country instead of happiness they bring death everywhere with their cursed instruments. However they cannot get rid of them, unless they bury the wooden instruments at the place of the tree. The three are anything but harmonious, each taking in their disputes various stances.
The TV dramatization of PO Hviezdoslav's epic tells of a time when the feudal system as a social force begins to disappear. Its only salvation is to merge with the people. Ežo is a supporter of this idea.