About a little boy apprentice of an icon workshop who dreamed of becoming a circus clown.

Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?

Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so amused that she invites them to visit the Duke to provide some merriment at court. Among other deeds, Don Quixote frees some prisoners, who then turn upon him, and Don Quixote attacks a windmill that he imagines is a monstrous wizard.

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

In Russia, in 1907, a rich lenient husband of a loose unfaithful woman is brutally murdered. She and her two lovers are suspects, but what about the stranger she met just before the murder? With no friends left, she and the stranger bond.

Based on a famous fairy tale, in verse, by Alexander Pushkin, this ravishingly beautiful fantasy is about love, magic, betrayal and abandoned family. Driven from the Russian court by her sisters' scheming, the young Tsarina is thrown into the sea in a cask with her infant son. Surviving the storm-tossed voyage, the mother and her now magically-adult son land on a remote island where he falls in love with a Swan Princess in human form, and longs for reunion with his estranged father, Tsar Saltan. Merchants come to the island with news of the tsar, and the prince sends word back to him, but the sisters continue their campaign of lies and trickery to keep them apart.

In 1948, a young director, Viktor Kostrov, is arrested after being denounced by his lover’s father. Beria’s inquisition, the horrors of camp life, and the vengeance of criminals form the grim backdrop for the story’s characters: a sadistic warden, a camp boss, Viktor’s terrified fiancée, and her father, an NKVD officer. Based on the autobiographical story by Gennady Beglov.

Bolshevik Foma Korshunov returns to his village. Soon his son, seven-year old Mishka gets a new nickname - "little communist". When bandits come to the village Mishka, knowing that the reds are close, saddles his horse and hurry to warn them about the danger.

After the novel "Sahil Amaliyyati" (The operation of "Side") of the same name of Jamshid Amirov. The film is about foreign secret service's operation and it's revelation by security organs.

Novruzali brings a gift from the village to the Khan as usual. The Khan writes a letter to his friend living in Yerevan, promising to come there with his wife and to tidy and heat the house where they will stay. He sends Novruzali to the post office to put the letter in the mailbox. And instructs him not to give it to anyone. Novruzali, who does not know what mail is, puts a letter in the mailbox for the first time in his life. Not knowing the rules, he waits near the mailbox. When the postal worker takes the letters from the mailbox, Novruzali thinks he is a thief and confronts him.