The myth of the anti-fascist resistance in Slovakia was one of the important themes of normalization cinema, of course, treated with an emphasis on the leading role of the communists. This primitively illustrative film depicts the heroic enthusiasm shown by the members of the resistance group, heroically and with constant commitment of life fighting against the treacherous police of the Slovak state and ultimately against the German Gestapo.

This dramatic story is situated in the town of Trnava of the 18th century. Painter Peter paints an altar-piece of the Martyrdom of St. Juliet and his model is a young girl. This is much disliked by the clergy who unjustly accuse the girl of witchcraft. She is saved from being burnt at a stake by the students of the Trnava University.

Visiting Slovakian Racha to get antiquated with Slovakian wine-making techniques, Rachvelian from Georgia, Zauri, falls in love with Slovak Darina. Consequentially, when Darina visits Georgia, Zauri does his best to make her also love him.

The poverty of Slovak workers during the Great Depression during the Masaryk Republic reached such a level that it led to a well-organized strike. The capitalists and their minions tried by all means to break it. Even the workers who had not yet been elected soon recognized their place and supported the initiative of the communists, who selflessly led the strike movement. The poster-like, purely ideological story succumbs to paper-like dialogues and plots, and the narrative portrayal hardly convinces of the credibility of the whole story.

A television production based on Bozena Slančíková-Timrava's short stories about social and moral conditions in a Slovak village in the 1930s.