An essay film approaching trauma-related memory loss via reflections on light outside the visible spectrum – on what is felt but never seen.

The Capacity For Adequate Anger constitutes an attempt at a personal and self-reflexive form of artistic critique that considers contemporary art, in its production as well as its presentation, from a perspective of class. Alongside questions around the intersections of negative affect and political agency, the work problematises notions around upward mobility that the field of contemporary art both produces and presupposes. Deploying an essayistic approach, the video work reflects upon the manifold meanings of distance in both its subjective and social senses.

The Capacity For Adequate Anger constitutes an attempt at a personal and self-reflexive form of artistic critique that considers contemporary art, in its production as well as its presentation, from a perspective of class. Alongside questions around the intersections of negative affect and political agency, the work problematises notions around upward mobility that the field of contemporary art both produces and presupposes. Deploying an essayistic approach, the video work reflects upon the manifold meanings of distance in both its subjective and social senses.

Rats are glorious deserters and we must admire them. Rats don't want to be captains trying to keep the cause afloat. But swim on open water.

Rats are glorious deserters and we must admire them. Rats don't want to be captains trying to keep the cause afloat. But swim on open water.

Rats are glorious deserters and we must admire them. Rats don't want to be captains trying to keep the cause afloat. But swim on open water.

Rats are glorious deserters and we must admire them. Rats don't want to be captains trying to keep the cause afloat. But swim on open water.

YOU ARE BORING! discusses the troublesome nature of “looking” and “being looked at” in larger contexts including labour within the new economy, performer/spectator relations, participatory culture, contemporary art display and queer representational politics.

YOU ARE BORING! discusses the troublesome nature of “looking” and “being looked at” in larger contexts including labour within the new economy, performer/spectator relations, participatory culture, contemporary art display and queer representational politics.

YOU ARE BORING! discusses the troublesome nature of “looking” and “being looked at” in larger contexts including labour within the new economy, performer/spectator relations, participatory culture, contemporary art display and queer representational politics.