Aspiring opera singer Luis Landa returns to his hometown to avenge the murder of his brother.

A young singer falls madly in love with a man, with whom she forms a family. Problems, however, are not long in coming when she receives unfair accusations.

A bad man holds the power of life and death over the inhabitants of a village... for no apparent reason... and he's fond of torturing them, tying them to crosses and leaving them to die. A cowboy with necromantic powers comes along and leads a rebellion to overthrow that reign of terror.

During a lull in the Mexican Revolution when Francisco Madero became president and attempted to implement land reforms, two former revolutionaries are pitted against each other for the love of the same woman.

The inmates of an insane asylum take over the institution, imprison the doctors and staff, and then put into play their own ideas of how the place should be run.

During the times of Venezuelan dictator Juan Vicente Gómez, an exhausted stranger arrives at a farm and starts to help the owner with the legal status of her land.

Villa's regiment demobilizes at the end of the Revolution, but the ruling faction in the provisional government isn't eager to see them reintegrate into civilian society.

This post-World War II drama, (released to a world-wide audience on July 9, 1949), is definitively unique for the caliber of each of its contributing writers, who are clearly better-known for their cinematic talents in black and white . For instance, the film's Director Chano Urueta ( who became an acclaimed actor in his own right), actually co-wrote the script along with one of its principal actresses, namely Esther Fernandez, as well as adding in the literary abilities of a well-known movie-producer of the era named Luis Marique.

The first solo feature of super-powered, "flying", telepathic luchador Superzan, in which he saves the world from three midget aliens in silver suits.