Two weeks before the graduation exhibition at the art school, the new principal Jack von Rosen (Magnus Krepper) takes office. During his presentation, he presents business-oriented ideas and it turns out that he secretly represents an ancient society that wants to commercialize art. Meanwhile, one of the students, Irma (Isabelle Grill/Hilda Krepper), is commissioned by God to create the perfect work of art and thereby becomes a target for Jack and his company. The debuting directors from the collective KonstAB, however, do not let Irma stand alone in the fight, but give her support from the school’s two lecturers and not least a Danish Dadaist.

When Johan and his colleagues are watching Seth and his gang member Jack, they stumble on a larger case than they expected. Seth is selling arms to terrorists, but without Jack's knowledge, in a car where Johan's old colleague Pernilla mysterious appears. While Johan begin researching what Pernilla and SÄPO is doing, Jack suspects that everything is not right with Seth and that he's working with the police.

In 1973, the 20-year-old Svante has a heart condition that the doctors cannot fix. When he has a breakdown on a subway platform, a strange train suddenly appears. He steps into the subway car filled with wonder, without knowing that the destination is the future. In the future he meets Elsa and together they must solve Svante's problems and figure out how to live together when they are from two different eras.

Sixteen year old Nour is a overly horny dork whose greatest desire is to get rid of virginity. But she cannot even talk to guys, how the heck will she get someone into bed then?

A woman is trying to buy menstrual pads and the clerk won't leave her alone.

Alex is fifty-nine years old and yearns for something more than the constant emptiness surrounding her. Everywhere around her people are bound by norms and fixated by their own appearances, so in an attempt to fit in Alex plunges into a journey of change, where she is forced to alter her age, gender, color of skin and looks, searching for the perfect facade. But how much can she change without losing her true self? Where does the limit go for how much the norms of society shall form the individuals? How do you remain true to yourself in a world so cosmetic?