A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

A touching tribute to a fundamental figure of the Argentine show, which shows “Tita” in the intimacy of the Carreras family and at the same time, on stage in her last show.

Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.

For the first time, María Elena Walsh's autobiography is brought to film. She herself tells us about her parents and the games of her childhood. And, later, her trip to Paris, the music hall, her first children’s verses and some personal confessions.

A story about hope, despair and disagreement, where a writer and a prostitute, who have lost everything, travel to the south. Looking for answers; driven on paths towards nothingness.