Handheld skate video meets hardcore social realism in a sensational film with the energy of a three-chord punk song and an unruly group of street kids in front of the camera, shot over 10 wild years of their young lives.

Set as an experiment in a simulated cell in Oslo, three former political prisoners are locked up for three days with no film crew, to revisit their memories of Syria's darkest detention facilities.

Based on diaries and photographs found in the houses destroyed during the Russian war against Ukraine, the film captures the stories of Mariupol, including that of the director’s family. It centers on the value of freedom and human life itself over the nonsensical statements repeated by totalitarian regimes, as witnessed throughout the history of the Azovstal plant.

An aging clockmaker repairs watches and recounts his memories as a political prisoner during the Romanian dictatorship. A film about routine, resilience and the echoes of time.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Documentary on the making-of Tati's Playtime (1967)

Despite the war, school life continues in Ukraine, with pupils and teachers striving to continue learning even under constant threat. The film is a mosaic of the everyday lives of teachers and students from different corners of Ukraine.

On the heights of a mountain in North Macedonia, in the midst of a flock of 600 sheep being watched over by huge dogs, stands a refuge. Children's laughter escapes from the precarious shelter. They are a brotherhood, ranging from ages eight to twenty. When they are not hard at work, they are playing and discussing the meaning of life. Is their future really here?

In one of the most polluted regions of France, a small industrial town by the Mediterranean Sea lives in striking contrast, where smokestacks loom and super tankers drift by, yet people swim, dance, and savour life. Amid the haze of factories and the hum of semi-trailers, a resilient community clings to joy and routine. At the edge of the freeway, Natalie’s food truck has stood for thirty years, serving as a symbol of perseverance and humanity. This visually rich, emotionally resonant film captures the paradox of living between industrial ruin and natural beauty, where survival means choosing not to look right at the smoke, but left, towards the sea.

Men on the streets get chased by stares. Someone’s walking a chihuahua, someone’s out jogging, but everyone’s uneasy glances are fixed at Petro and Andriy — recruitment officers inspecting military documents, holiday or not. When the officers encounter the freelance IT guy, Sashko, the young man has two requests before he’s taken away: that they stop by the store so he can buy food for his cat, and that he is allowed to bless his Easter bread.