Balgandharva, the eminent towering singer from the bygone golden era of Marathi "sangeet natak" (musical dramas) definitely deserved some modern celluloid space. This film does well to document his life, the younger generation who is unaware of his charisma will get to know him. The film chronicles his life , his acting career well. It gives a good overview of how the drama companies were run and how he influenced the running. His values and character stand out amidst all the tragedies in his life.

This story follows an old man who, while facing the insurmountable challenge of cancer, strives to show his grandson the profound beauty and value of life. It highlights the power of maintaining a positive outlook, even in the darkest times.

Head constable Tambe isn't having the best of days. His wife slams doors in his face. His little daughter won't speak to him. His only friends, havaldaars Sawant and Shilwant, feel cheated by him. And to make matters worse, he's been given nightlong Ganpati visarjan bandobast duty. The lights are blinding. The drums are deafening. Explosions. Clanging. Flashing. Thrashing. His senses are being attacked from every which way. Every screaming face seems to be mocking him tonight. His blood slowly rises to boil. Until he snaps, plunges into the crowd, pulls his gun out, and as jaws drop around him... he unleashes a TAANDAV!

A group of young boys and girls grapple with moral issues in a changing world.

Two sex workers decide to kick men out of the system and form a cooperative that runs the business for women and by women. How do they do things differently? And how far can they get under and overarching and overbearing patriarchy?

"Kawdu and Bhulabai are a tribal couple living in a tiger reserve somewhere in Maharashtra. Their idyllic life gets a rude shock after Kawdu (Upendra Limaye), who had gone into the forest to fetch a medicinal root for his ailing baby, is arrested on charges of having killed a tiger. Desperate to save the life of her baby, Bhulabai (Vibhawari Deshpande) rushes to a Christian missionary, and showered with care and concern, embraces Christianity under the belief that this new god has different powers from her “own” gods, and will solve her problems. However, freeing her husband from jail is another affair, and for this she is advised to seek the help of Naxalites living in the nearby forest, through whom she acquires a new deity—Karl Marx. Even as these new gods find their place on her altar beside Waghdeo and Naagdeo, the traditional nature deities of her community, the community itself shuts the family out for having dropped its own gods." - Aparna Pallavi

A filmmaker stands trial when a costume assistant on his movie accuses him of rape.

Kaali Ghosh, who has been kept as a sex slave by an industrialist's son, escapes. But she needs to solve the case of her constant blackouts. For this she visits a therapist whose ad she sees in the papers. Vikrant Saraswat is a therapist who is himself seeking therapy for sex addiction and his worst fear is getting back to work and seeing a woman client who he is attracted to. And Kaali meets him. They both need to help each other out, before the shadow sides of their minds completely take over their worlds and push them into doom. Will Kaali be able to step out of her Dissociative Identity disorder and make peace with the identities created within her? Will Vikrant be able to reconnect with the feminine, beyond his addiction and find salvation in doing his work righteously and aptly?

Shyamal and Vidhyadhar, an old couple, find themselves in a dilemma when they have to leave the house where they spent their entire married life to move into a new one.

A 24-year-old Muslim woman's secret job is as a suicide prevention counselor in Mumbai. On her first day, she must open up to stop a suicidal man from jumping off a high-rise.