During World War II, all the studios put out "all-star" vehicles which featured virtually every star on the lot--often playing themselves--in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures' effort. It features everyone from Donald O'Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players.

A bumbling senator investigating graft in Louisiana is the target of a scheme involving a Viennese beauty.

A Russian dance company agrees to stage the new ballet written by a vaudeville hoofer.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

A wife decides to take revenge when she learns her husband has been unfaithful.

Movie producer chooses a simple girl to be "Miss Humanity" and to critically evalute his movies from the point of view of the ordinary person.

Posing as the fabulously glamorous Countess Tanya Vronsky, a poor young ballet dancer and her two accomplices are really a team of skilled con artists! They mingle with Europe's high society, always looking for the next wealthy victim to fleece with their fake jewellery scam... Then Tanya meets the dashing young Paul Vernay. At first she wants to rob him. Then she decides she wants to marry him and to leave her criminal past behind her. Her accomplices agree but only if she'll join them in one last, big swindle...

A documentary film about dancing on the screen, from its origins after the invention of the movie camera, over the movie musical from the late 20s, 30s, 40s, 50s, and 60s, up to the break dance and music videos from the 80s.

Rodgers’ friends and colleagues pay tribute to him. Among the original Broadway cast members reprising the songs they introduced are Vivienne Segal (“Bewitched” from “Pal Joey”) and Alfred Drake (“People Will Say We’re in Love” from “Oklahoma!”). Vera Zorina dances “Rodgers in Three Quarter Time,” a ballet created expressly for the show set to three Rodgers waltzes, and Mary Martin sings “Wonderful Guy” as Rodgers himself accompanies her on piano.