The growth and success of Gianni Versace: his childhood and adolescence in Reggio Calabria in the 60s, his first steps in the world of fashion. The docufilm collects a series of interviews with friends and colleagues as well as archival images of fashion shows and interviews.

Alessio Rinaldi, a 25-year-old director, gets the charge from a producer to write the script of his first movie with Ubaldo Terzani, a well-known writer of horror novels. Alessio moves into Terzani's house to start this collaboration, and a strange relationship of psychological dependence grows between them: Ubaldo Terzani unveils his dark side, and Alessio fall in a desperate depth of craziness and nightmares. There is a reason why Terzani's bestsellers are so frightening ... Alessio will discover that reality can be unexpectedly more terrifying than every brainchild, and he will have to fight hard to escape Ubaldo Terzani's jaws.

Four best friends take their book club to Italy for the fun girls' trip they never had. When things go off the rails and secrets are revealed, their relaxing vacation turns into a once-in-a-lifetime cross-country adventure.

Marcello is a Calabrian boy who dreams of becoming a footballer and lives with his mother, Tereza, of Arbëreshë origin, in the popular neighborhood called "Aranceto". During the imminent period of the 1990s World Cup, he meets Andrea Viscomi, a late career footballer, captain of the local football team, U.S.Collidoro. Their lives are intertwined. The friendship with the footballer rekindles in the boy the desire for a father figure that he has never had and in the footballer a forgotten carefree time, which has been lost above all due to his involvement in match-fixing. The coming-of-age novel of Marcello crosses the descending parable of Andrea's career, in the sign of a friendship necessary for both.

The triumph of the designer Federico Marinoni in the world of Milanese fashion was marred by the tragic death of the maison's main model and the designer's muse, Alexandra Larsson, who was hit by a hit-and-run car while on her way to celebrate her consecration as a top model .

This portrait of a film director unlike any other attempts to capture the essence of Vittorio de Seta’s rapport with the humble people he filmed and elegantly brought to Cinema Scope’s big screen in color from the 1950s onwards. From his home in Calabria, the film director looks back over his epic films.