Nostalgic comedy set in the early 1960s, when the tango was all the rage. The "prodigal son" Tenho returns from his unlucky adventures in the city back to his parents' farm. Tenho becomes the laughing stock of local men until he scores the hottest girl in the village. A hot romance flares up between Tenho and the sensuous milkmaid Virva, accompanied by popular Finnish tango tunes.

During the spring harvest, a strange man arrives in the village on the shores of Lake Pielinen, carrying a rifle and a backpack. He is a skilled worker, a ruthless talker, and a ladies' man. By the time the autumn snow falls, the village has changed. No one can quite figure out the man. He calls himself Simpauttaja. Based on Heikki Turunen's award-winning debut novel, the film is a tragicomic portrayal of rural change.

Detective Karisto releases Auno 'Räpsy' Pirilä from prison, who in turn has to calve his childhood friend Börje from criminal activities. Alcoholic Dolly takes Räpsy to live in Kallio, Helsinki, and hopes to move to Paris with her in the spring.

A sequel to Soinio's film Kuutamosonaatti (Moonlight Sonata) of 1988. A rural family clings to life until the resourceful Sulo uses the salvific powers of sauna, moonshine, and tar to resurrect his injured brother Arvo, their deceased mother, and even buried revolutionaries. When Arvo drifts to Helsinki and falls into illicit moonshining and wild pursuits of a celebrity, Sulo and their revived mother set out to retrieve him from his urban excesses.

Portrait of rural life in 1920s Northern Finland. The film follows the early life of a boy called Kalle and his family in the shores of river Iijoki.

Second silver screen adaption of the Finnish war book by Väinö Linna. The story is based on Linna's experiences as an infantry man in the Finnish army during the so called "Continuation War" (1941-1944).

Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.