Veena | WatchedThis
Veena
Acting
Biography
Veena (4 July 1926 – 14 November 2004), also known as Veena Kumari, real name Tajour Sultana, was an Indian actress. Veena was born as Tajour Sultana on 4 July 1926 in Quetta, Baluchistan, Pakistani. At some point of time, her family shifted to Lahore and she belonged to Lahore's Chuna Mandi.[1] She married actor-hero Al Nasir in 1947 and had two children. She started out playing heroine roles in pre-partition films. She made her debut with Garib and Gawandhi (1942) at around sixteen years of age. Garib was made in Urdu and Gawandhi was made in Punjabi and directed by Mehboob Khan. In Garib, she played the role of Lata and in Gawandhi she played heroine opposite Shyam, who played the hero. She became known for her roles in pre-partition Hindi and Urdu films. Her early years in films came with films such as Najma (1943), Phool (1945) and Humayun (1945). Her last film before the Partition of India was Rajputani (1946), in which she played a supporting role. She decided to remain in India after the partition, and she acted through the mid-to-late-1940s, 1950s, 1960s, 1970s and early 1980s. She played roles in big productions such as Halaku (1956), Chalti Ka Naam Gaadi (1958), Kaagaz Ke Phool (1959), Taj Mahal (1963) (for which she received the Filmfare's Award for Best Supporting Actress), Do Raaste (1969) and Pakeezah (1972). She retired in 1983 after the release of Razia Sultan (1983) in which she played Empress Shah Turkhan. She died in Bombay in 2004 after 21 years of retirement when she was 78 years old after suffering from a protracted illness. She had appeared in over 70 feature films in a career spanning 41 years (1942 till 1983).
Filmography Movies
Acting
Parichay
An unemployed young man (Jeetendra) takes a job to tutor unruly grandkids of Rai Sahab (Pran) and brings out respect, appreciation and hard work hidden deep inside them.
Humayun
The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.
Aashirwad
Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.
Shrimanji
The year is 1942 and Advocate M.L. Gupta lives a wealthy lifestyle along with his wife, Maya, in Churchgate, Bombay. One day he travels to Calcutta, and during an air raid by Japanese fighter aircraft, takes shelter with a prostitute, Panna, who drugs and then seduces him. The next day Gupta returns home and decides to forget about this affair. Shortly thereafter he and Maya become parents of a male child and name him Johar.
Delhi Durbar
1956 bollywood film
Kahin Din Kahin Raat
When a CID inspector infiltrates a smuggling ring he discovers that his ex-girlfriend is involved.
Raja Shiv Chhatrapati
A film based on Maharashtra's beloved king, Raja Shiv Chhatrapati's life.
Mazloom
While returning home via train, Purnima gets sexually assaulted by a stranger, keeps it to herself, but her parents eventually find out and the shock kills her dad. Since it was too late to abort the baby boy, her mother gives it away to a stranger. Purnima gets married to her sweetheart, Vijay, a Chief Engineer, but ironically the very same child ends up in their care, and they name him Rajan. Years later, Purnima gives birth to Aman. The two boys grow up, siblings rivalry prevails to such an extent that eventually they end up falling in love with the same woman, Meena. Things keep on getting complicated so much so that a member of their family ends up getting killed, and another getting arrested.
Jheel Ke Us Paar
Kulwant Rai's horse carriage runs over a child, and as a result, she loses her vision.
Phool
A drama set in a Muslim family. Safhar's inheritance is lost, thanks to his sister-in-law, but he is still expected to complete his late father's work of building a mosque. If he cannot complete the work, then Salim must take over, but he goes off to fight in the Balkans, leaving the sister-in- law's orphaned daughter to complete the task. In doing so, she will lose her freedom, so she has a difficult decision to make.
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