Based on the novel "The Artist" by Francisca Munteanu. Romania in the 30s. A young talented artist Mihai Strihan, a student at the Academy of Painting, sees how fascism is poisoning the social life of the country. But Mihai does not want to get involved in politics and decides to engage only in painting. However, under the influence of friends fighting for the freedom of their homeland, Mihai realizes that he was wrong and becomes involved in a fierce political struggle against fascism.

A television cameraman and his subject find themselves in the middle of an intertwined professional and personal dilemma.

This movie retells the story of a revenge that sweeps over the social and political events of the '40s. Because they sent her son to war and he never came back, his tough mother, Ecaterina Handraburu, decides to have her revenge on those who plotted to leave her heirless and grab her possessions.

A continuation of a story started in the drama "With Clean Hands" (1972). Commissioner Miclovan's last cartridge is still hot in the pocket of Roman. Left without Miclovan's support, dead in action, Commissioner Roman wants to see his murderer, a very powerful local mafia and smuggler, Mr. Semaca, acquitted by the court for lack of evidence, punished. But before dealing with Semaca, Roman receives a new mission, this time undercover: the capture of a German spy still active in the country, suspected to be hiding in a monastery. In this mission, Commissioner Roman also has a helper, Oarca, a former underwriter who proves good at everything and especially at car chases on serpentine...

Tudor Vladimirescu fights against the Ottoman Turkish domination of Romania and the social agitation ,his story includes the war between Russia and Turkey from 18o6 to 1812,for which he was decorated by the Russians.

Dying in the trenches during World War II, Stefan looks back at his own life and that of his father. Through his memories, the film presents a story that embraces two generations and various eras. It is a film about the tragedy of lives dragged into conflicts against their will, of lives violently ruined or ended – a story about the devastating consequences of war. Interweaving past and present, the flashback narrative depicts the war as a perpetual situation where the “little people” always turn out to be on the losing side.

Country Life in the Stalinization (1951) in the middle of winter înaintede New Year, mother-in-law Maria and her daughter Saveta (Graziela Albini) awaits son or husband (George) went to the front. Unfortunately he think of his mother only begins to see visions of the past and falls in bed.

The story of the rescue of workers trapped in a snow avalanche in a remote mountain cabin.

Angela (Liliana Pană) and Dorina (Magda Catone), working at the Match Factory, live in the home and dream of marriage and spouses to give them a decent living. But the illusions are shattered when the men encountered prove their lack of character: Titi (the boy whom Angela is in love with, appears at a time with a kid and is raped), a vendor, is pimp, Emil, an engineer, is a And Radu, an emigrant in Australia, is undistinguished by his Collie dog.