Maria da Luz waits for her husband who got lost somewhere in Angola during the war. With no news, she finds herself surrounded by families that, like her, desperately long for some kind of hope regarding their loved ones fighting abroad. She takes the matter in her hands and starts tape recording loving messages from each mother, wife and other family members. Carrying the tapes, she travels to Angola and personally delivers these messages to each and every soldier in a personal quest right in the middle of a country in war.

Faced with the shock of an unexpected death, Sara finds herself trapped in a maze of pain, loneliness, and abandonment. As she travels through it, she seeks consolation in the justification of that fatality that shook her so much. But what he finds is not what he expected. With elements such as flowers, blackness or Entrudo monsters, it is a surrealist journey about death and the different rituals of mourning.