A husband, a wife and another woman. Only three are in the frame.

Antonina Milyukova is a beautiful and bright young woman, born in the aristocracy of 19th century Russia. She could have anything she'd want, and yet her only obsession is to marry Pyotr Tchaikovsky, with whom she falls in love from the very moment she hears his music. The composer finally accepts this union, but after blaming her for his misfortunes and breakdowns, his attempts to get rid of his wife are brutal. Consumed by her feelings for him, Antonina decides to endure and do whatever it takes to stay with him. Humiliated, disgraced and discarded, she is slowly driven to madness.

In a remote Kryashen village there lives an old man named Mikula, he has a young pregnant wife, parents who infinitely respect his fellow villagers. but one day a man comes to the village who claims that he is Mikulai's son, and the ideal world begins to collapse, exposing the terrible reality.

A story about the harsh times during colonization and famine of the 1930’s. The main character, gravedigger Isatai, played by Yerkebulan Dairov, will find himself faced by a hard choice that will predetermine the fate of his village.

Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears.

Two get into the room, it's unclear how, it's unclear where. They could go out, but the doors suddenly close ...

Varya has chosen, as they say, a not entirely female profession: she wants to become a firefighter. The girl comes for some work experience to a fire brigade where she must prove to everybody that she is worthy of being there.